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Lathe - Turning - General

 
 

 

 
 
Turning Thin Washers or Spacers (Aug 12, 2001) Finish problem (Apr 10, 2004)
Cast iron machining (Oct 4, 2001) Turning, Boring... Titanium (Apr 12, 2004)
Steel (Feb 3, 2002) Dialing in to center (Apr 26, 2004)
Use of a center finder (Jul 21, 2002) Turning radii (May 2, 2004)
Layout Question (Aug 14, 2002) Steel (May 4, 2004)
When I machine I get this (Aug 30, 2002) How do I radius corners? (May 6, 2004)
Disc facing (Sep 9, 2002) Heavy 10 vibration (May 26, 2004)
Black finishes (Sep 10, 2002) Large dia. turning on a 9" (Jun 5, 2004)
Turning question (Sep 13, 2002) Spinning aluminum (Sep 19, 2004)
Vibe trail? (Oct 9, 2002) Turning a concave radius (Sep 22, 2004)
Vibration problem (Oct 11, 2002) Turning a CONVEX radius (Sep 23, 2004)
Rings on workpiece (Nov 2, 2002) Machined finish expectations (Sep 24, 2004)
How to cut shims? (Nov 17, 2002) Maximum depth of cut turning mild steel (Nov 1, 2004)
Turning plastics (Dec 10, 2002) Turning Titanium (Nov 13, 2004)
Vibration Question from a newbie (Dec 28, 2002) Turning barstock (Nov 25, 2004)
Fixturing question (Mar 10, 2003) On-center tool use (Jan 10, 2005)
Lathe Vibration? (Apr 13, 2003) Turning 4130 Chrome Moly (Jan 24, 2005)
Large objects on faceplate (Jun 9, 2003) Turning 430 Stainless (Jan 30, 2005)
Turning Troubles (Jun 23, 2003) How to set angles (Feb 1, 2005)
Turning Large Diameter Stock (Jul 3, 2003) Attaching outboard spider (Feb 24, 2005)
Surface Finish (Jul 4, 2003) Helical pattern in part (Mar 8, 2005)
Finishing (Jan 26, 2004)  
 
Turning Thin Washers or Spacers
I'm attempting to make some spacers roughly .06" thick from a short piece of steel tubing with an inner diameter of 1" and a wall thickness of roughly 1/8". I've had pretty mixed results, so far. I can face on one side with no problem, but facing the back side and cutting the spacer off the tubing is problematic. Anyone tried this with any degree of success? Jim (1294)
There is the jewelers way of doing this which works pretty well. What you do what you are doing and part off the piece at a thickness that work reliably then take something like a piece of brass and turn yourself a fixture that the piece will just slide on front first. Then use a bit of crazy glue and glue the piece to the fixture then face off the back side to thickness. Then throw the whole affair is some lacquer thinner of release agent for the crazy glue and you have your part. Yasmiin (1295)
Jim, Here are some other methods: It would be much simpler if you had access to a surface grinder, but I'll limit it to machining on a lathe. One way would be to make an initial parting cut, not all the way through. Then machine the backside of the washer. Then complete the cut off process, deburr both OD edges before final cutoff. Another method would be to cutoff a bit thicker say .010 or so. I'd bore the ID with this method. Then I'd make an expanding arbor out of aluminum. Basically, drill and tap for a pipe thread, then make cross cuts in an X patters or 6 slots across. Then in the lathe machine the OD .001 undersize of the ID of the washer and only .050 back. If the bore of the washer is true then it should face reasonably flat. Place washer on arbor and tighten in the pipe threads (get some type of pipe fitting). Then face the part. I'd deburr the OD edges with a file on the lathe (use a handle on the file for safety) Still another method would be to find some washers with the thickness and ID you desire. Make a mandrel with an OD .001 under the ID of the washers. Make an end plate to be bolted on the end of the mandrel OD a bit under the OD desires. You can turn 5 or more at one time. Just make the length of the mandrel just a bit less than the thickness of the washers. Then tighten and machine the OD down to the desired OD. T G Brandl (1304)
I should clarify method 1. First face and deburr the front 2 edges (ID, OD). Next, Set up to cutoff the part. Start a cutoff at .010 longer than what your final length (thickness) will be. Turn in till you have .020 left to cut off. This should hold the part on. Move the cutoff tool back to take off .005 more down to the same depth as before. Take off the rest of the material off the back face down to the same diameter. The part should still be left on. Next deburr the OD edge of the back side with a file. Then forward the cutoff tool about .002, so it wont take a cut. I'd keep the cutoff tool as short as possible to minimize flexing. Cut all the way through. It should leave only a thin ring on the inside edge. I find I can remove this ring with wire nippers. Then deburr the ID edge with a deburr tool. T G Brandl (1308)
Cast iron machining
Sand-cast iron as made into parts that are intended to be machined in industry ( like pipe fittings, etc.) is usually annealed in an oven after casting and before machining - this makes it more uniform in texture and generally softer, also more resistant to cracking from retained stresses. Lots of other CI is not annealed because it costs too much and the one selling it doesn't have to machine it, or the machining operation is a smaller part of the item final cost so they just live with the lesser tooling lifetime. Most all CI ( actually all sand-cast metal) is very likely to have ( sand grains) inclusions in the first say 10-30 thousandths skin depth which will make microscopic chips in almost all cutters eventually. ( sandblast a carbide tool surface and see what happens). The type and maintenance of the sand, molding operation, casting metallurgy and core handling and hygiene all contribute to the amount of included grit in the cast. There is carbide tooling made for cutting cast iron that holds up pretty well but they cost more and have their own problems - chips, overheats, material sticks, etc. (really challenging to re-sharpen properly.) A cobalt cutter properly ground gives good surface finish, can take a fairly heavy cut and not deflect or overheat, and is good and cheap, easily re-sharpened, M2 type - HSS is same. Let's remember that in machining everything, tooling edge is a consumable item: it is used up in the process of generating the cut. The thing that changes is how long it lasts and what is the cost of restoring it. There is no amount of care that will keep a given metal cutting edge good forever ( even diamond wears) - unless maybe you are cutting a lot of Jell-O? The best approach is to have a good grinder and handstone technique, and practice sharpening tooling often - then it is a small and easily accomplished item to put in a fresh edge and set up the next cut. Most of us will never be knowledgeable or lucky enough to select just the right casting or exactly the right tool for cutting each individual one, but we can probably all learn to make a good setup, a good cut, sharpen the tool, and go on with the project. Lets not get wrapped around the axle on the minutiae that we can't escape. The technique of making a hole in the skin only works at the one point and doesn't affect the tool wear as it traverses the cast surface - the tool edge doesn't care if it hits the grit particle from top or side - it still gets scratched if the grit is harder than the tool material. Making a hole only helps in the hardness area if the cut is deeper than the skin hardness layer and the tool has a sharper or more durable edge on the side where it will contact the material than on the point that is plunged to penetrate the layer. If you think about it - didn't we all know this already? (1725)
Steel
Paul, unless you have a raving desire to case-harden, stay away from cold-rolled. It is a poor mans steel and to damn much stuff is made from it, (only my opinion!). For your project I would go with 1144 or 4140 machine steel. Takes a good finish and is a bit tougher. What you want are 2 things. A tough machineable steel that has good finishing characteristics. If I were making a machine-tool I'd go directly to tool steel made in USA. Carpenter Steel if I could get it! Not only is tool steel heat-treatable, it is more homogenous (more organized if you like). It has no pockets of hard and soft, (I don't like surprises!!). OK so it's expensive, so is your time and frustration level. Every once in a while, you need to go out and do something that turns into gold instead of lead. You buy that chunk of steel and turn it into gold! Ron (3061)
The difference between hot rolled (HRA) and cold rolled or cold drawn steel is not the chemistry of the steel but the way its finished at the mill. You can have the same grade (chemistry) of steel, but finished different ways. Hot rolled is the way it comes off the mill. If it is to be drawn, they leave it a little oversize, then run it through dies to smooth out the finish, while bringing it to size. This puts stress into the material. Once its drawn they straighten the mat'l. Now its straight but still has the stress in it. Cold drawn has more stress than cold rolled. This material has many drawbacks but also many good uses. Usually cold drawn/rolled mat'l is very close to a nominal size so you don't have to do to much to the thickness of it. If you do it is best to do the same to both sides equally. this will help reduce warpage, but don't count on it. Lets say you had to make a 1/4" thick x 2" x 8" bracket with holes in it. If you get 1/4" cold rolled/drawn x 2 mat'l, all that's needed is to put the holes in it. If you use 1/4" hot rolled, it will measure appx .275/.285 on the thickness, Which would be fine unless you need it to be .248/.252.(its also oversize on the width) I make a lot of High Speed Steel tools out of both Cold worked Hra mat'l. Both serves its purpose. The easiest way to tell the difference is how sharp the edges are on the bar. Cold drawn is sharp while hra is more rounded. Mike (3064)
Ron, I was doing a little reading and 1144 (stressproof) sounds interesting. I had to dig around on the net a little as my copy of Machinery's Handbook is from 1946 (hey, I like old books) and didn't appear list it. Since there's no way I'll harden or case harden this dividing head spindle, it sounds like a good compromise between machinability and strength. At least it's not too expensive so I can afford to experiment with it. Some day if I get an O/A welding setup I'll try case hardening some big pieces like this. Paul R. (3069)
I've done a bit with 1144 lately and I like it. It machines fairly well, and is far less stringy than stuff like drill rod. I did ruin some HSS steel tooling on it when the spindle speed got too high, but at reasonable speeds with hss (or high speeds with carbide) it cuts nicely. I will mention though that the smaller (1/2" dia) stock I got from McMaster was not quite straight - no problem over short distances, but it wobbled around a little more than drill rod does when I set up a three foot piece between steady and follower rests. Chris (3074)
Use of a center finder
On page 54 of How To Run A Lathe they describe the use of a center finder. It is not clear to me how this device is mounted and used. Chris (5254)
By placing the end of a pointed rod in the "pop" mark and spinning the lathe slowly, you can "see" if the "pop" mark is running true. Actually, you can either watch the distance between the cutter and the rod vary, or use a DI with an elephant's foot (like a nail head) on it mounted in place of the cutter. Paul R. (5256)
Paul, but I'm still not clear on what is holding this rod in the center POP. Chris (5258)
The other end is held in the tailstock. There is (I would guess) a 60 degree depression in that end of the rod, and a 60 degree point on the "business end" of the rod. Pressure applied via the tailstock with a 60 degree center keeps the rod in the "pop" mark on the work piece in the spindle chuck. I made one that has a spring on the tailstock end so that I can safely apply tailstock pressure and not worry about too much or too little pressure to hold the rod. Another way to align a workpiece for drilling or boring is a "Toolmaker's Button" which is a precision-ground hollow cylinder typically 1/2 inch diameter and about 1/2" tall. You drill and tap a hole as close as you can to the center you want. Bolt the toolmaker's button to the spot, and since the hole through the button is larger than the bolt, you can move the button around a little while the bolt is loose to set the button exactly, and then tighten the bolt on the button. Now mount the workpiece on the lathe and set the button to run true using a DTI. Remove the button and do your precision drilling/boring. I've got a nice old set of Starrett buttons that I use. Paul R. (5260)
From reading the paragraph in "How to Run a Lathe" I see a contradiction between it and your explanation. The paragraph (for those that do not have the book) is as follows" The center indicator is used for accurately centering work that has been laid out and center punched for drilling and boring. The short end of the center indicator is placed in the center punch mark (of the work-my addition) and the tail stock center point is brought up close to the opposite end, as shown in Fig. 153. For accurate work, the long end of the indicator (at the tail stock center point-my addition) should remain stationary when the lathe spindle is revolved. I can see Chris' confusion, since mine is the same. Fig. 153 shows a dead center in the tail stock and the long end of the center indicator in very close proximity to it. There is what appears like a bushing at the end of the tool holder that is in close proximity to the center punched work. I think that, and the short end of the center indicator in the center punch depression, is the only thing that holds the indicator. As one rotates the lathe spindle, and I take it that is done by hand or at a very slow speed, the long end of the indicator in proximity to the tail stock dead center is watch for any movement from coincidence. Correct me if I am wrong. Fred (5263)
Yes, you are correct if they are using a centering indicator composed of a ball-joint mounted rod in the tool-post. Really hard to see in the picture -- have to study it for a long while to see the details. In this case the far end of the indicator (near the tailstock center) is indeed free to wiggle and does so amplifying the amount that the pop mark is off center by the ratio of the lengths to the ball joint (or 2-axis swivel). Much harder to make yourself than a "between-centers" indicator rod (obviously), but can be used to great precision w/o need for a DTI. Thanks for pointing out the "fine print". Paul R. (5265)
The shaft is going through a ball/gymbal sort of holder held in the toolpost. You look for no wiggle on the far end. Using the tailstock center for eyeballing is just a handy way to do it, if the cross slide is in too far, the point of the indicator ends up on the far side of the tailstock center, out too far it's on your side of the center. Makes no difference in practice, The far end only wiggles if the point is wiggling. The difference in length on either size amplifies the woggle, a thou is hard to see, 5 thou is pretty easy. This sort of indicator is pretty well unused any more, it's a holdover from the days of test and dial indicators being terribly expensive. These days it's cheaper to use an indicator and a length of 1/8 drill rod with a point held in the tailstock. Still a very neat looking little piece of gear, if I ever see one cheap in OK shape I'll probably give in to temptation to buy and refurb it, just because it's cool. Stan (5271)
The explanation of a ball gimbale held by the tool post seems to make sense when studying the photo. The amplification of the rod movement at the tail stock center would be easy to see. Chris (5277)
Layout Question
Question: What is the most accurate method of center drilling both ends of a shaft with offset? Say, a true center, and three centers at 120 degrees 1/2 inch from the center? (like an offset crankshaft). Clamping in a fixture and marking with a scribe from a surface plate the best way? (5906)
Keith You have most of it but there was a special quick way to do it that either Westbury or Geometer documented. Let me look around for it and I will post it when I find it. JWE (5911)
Keith A good question and there are several ways to do it. For me you must first establish a true center and then divide the surface for the number of offset throws you need. The attached article by Geometer from his Beginners Workshop series shows one of the best methods of establishing these lines. Once this has been done all you need then is to set the stroke of each offset center. For this I recommend first a surface plate, 2nd a V block that will accommodate the material and most important of all an adjustable height gauge with scriber. There are several around at reasonable prices or you can make one from a caliper as has been illustrated many times in the magazines. My recommendation would be a $60 dial height gauge from say J L or IPS. Others have them as well. With this you would first establish the scriber to the center height of the material resting in the V block and then dial in half the desired stroke, rotate the material until the desired line is vertical and pass the scriber across to mark the center. Now rotate and mark the other locations on the other throws. Next question are you just going to drill these points or are you going to mount in the lathe and turn throws on these centers. To know this is needed because there are different ways depending on the final use how to do the next steps. And oh yes mark out both ends or the bar at the same time that is why we have the material clamped in the V block and are using a height gauge because then it is simple to scribe both ends exactly the same at the same time, saves multiple setups. JWE (5918)
For layout, I would use offsets and work on a surface plate with a good set of known matched V-blocks To simplify things, I would first use a 4 jaw or collet in the lathe to center dimple one end. Just enough to resiter center. Then with a sharp V-tool in the compound, move out to your desired radius and scribe the diameter on the faced end, turning the lathe by hand. Don't change this setting (note dial readings). Turn the part around, dial it in again, center dimple, and again advance the carriage to scribe a circle, exactly the same as the other end. Now remove the part from the lathe and clamp it to the matched V- blocks (or only one if it is short) To get the top throw, use a precision square or knee, line it up with center and scribe straight up through your scribed diameter circle. To get the bottom 2 throws, which will be at the same height, but below center, use the following formula (this is only for 3 equal throws) x/R=sin30§, or Equivalently, x=Rsin30§ "x" is the distance below center you need to find, R is your known radius, sin30 is on your calculator. Find sin30§ on a calculator, multiply it by your known radius; this equals x, the height _below_ center. Set an adjustable parallel, or a height gage, or a planer gage to exactly center height on the part as it sets in the V-block(s). Now deduct the value "x" computed above. If using an adjustable parallel, mic it at center height, deduct the "x" value on your mic, screwing it down to the new value, lock the mic, and refit the parallel to it. Set the parallel flat on the surface plate against the end of the part, and scribe through the previously scribed circle. It will intersect at 2 points, one to the right and one to the left, the location of both of the other throws. This is a very exact way to do it, but on small parts, layout error can be large, You do need a good eye, and good procedures. The technique itself is simple. If I were making the part myself, I would dispense with layout and use machine elements to center drill directly. One way that occurs to me would be to use a spin index or dividing head, and clamp it to the cross-slide, lined up with the bed axis. The lathe and index center heights do not have to match, but must be within the offset distance required on the part. I would face and center drill both ends "the usual way", and step out the required distance using the crosslide and a sharp V tool to scribe the circle for the crank throw off set as above. Next, transferring the part to V block(s) on a surface plate, scribe a line at exactly center height on both ends and one side. The side is optional, but will make it easier to keep track later. work closely, because when the part is swapped end for end later, it doubles the error. Transfer the part to the index and set the index on 0. Leave the collet or chuck snug, but loose enough to be able to twist the part with some pressure. Put a clean sharp center in the headstock chuck, collet, or taper. Use the cross-slide to position the index until the enter point intersects the throw circle. Now twist the part in the index collet or chuck until the scribed line lines up with the center point. Again, be precise and sure. Lock the index collet or chuck and check once more. Lock the cross-slide, if you can. Change the headstock center for a center drill. Using the carriage, advance and drill the hole, then index 120§ on the index and drill the next, etc. Index back to O, turn the part around in the index and be sure to line the scribe mark up on the same side as before. (this is what the scribed line on the side is for). Adjust the part by twisting it is the index until the scribed line on the end again is dead center on a clean sharp center in the spindle nose. Tighten the index collet or chuck, replace the spindle nose center with a center drill, and proceed as above. I have considered a worse case scenario above where the part is "longish" but might not fit clear through the index. If the part is long enough to fit clear through the index, you can drill your first set of holes on one end to accept dowels. When the part is swapped around to do the other end, you can indicate to the dowels (the part is sticking out the back the index) or use a previously arranged positive stop set up to locate the part by means of the dowels. What are you making? Smt (5930)
There are a number of ways to approach this, how big is the part, what size is the circle ( is it on one or both ends, must the holes be collinear or not) and what do you have to work with? although the easiest way might turn out to be the fixture - what do you have to build it from and how many times do you have to do this operation - is it worth building a special fixture for one part? (5940)
I'm building a three throw crankshaft 120 degrees. It's also about 60% a learning experience,,, 40% real broken tooling and a bunch of poor performing steel wool leftovers. At 09:34 PM 8/22/02 +0000, you wrote: That was the thoughts at first,,, that was going to be the only "real" measurement I had to make. I guess that brings up the question,,, assuming again,,, that the person doing this is skilled,,, is it more accurate and reproducible to locate the offset centers by measuring with a height gage, or dividing the inscribed circle with calipers? It seemed to me,,, with the cylinder in a v block on a surface plate and centers located and marked,,, the only real measurement that needed to be transferred was the radius value to calipers. The other need was a transfer line,,, vertical or horizontal going thru the center, the same on each end. That could be done with a scribe or square from the surface plate. The angle of the throws using a height gauge depends on the center height above the surface plate, and the radius of the circle. Errors in these measurements would affect the angle and throw of the journals. The angle of the throws using a division of the circle is independent of the center height or diameter. Just depends on the eyeball resolution dividing the circle. Shouldn't be any worse than trying to mark the circle from a height gauge. Errors in measurement would just affect the throw of the journals. Humph,,,, I'm out of my league. I need to go hack up some aluminum and make a few scratches so I can see what it is I'm looking at. Now having said all that,,, I bet all things considered,,, I'd be better off doing the height gauge than doing the division of circumference in relation to a witness line. I guess It would be cheating to just clamp the sucker in a piece of hex, that would sort of ruin the learning side of the gig. (5945)
When I machine I get this
When I turn some thing down I always get these lines in the part I machine. It does not come out smooth. I have used new tools re-sharpened ones etc. What is wrong. I need a smooth finish. (6068)
You more than likely need to change out one of the change gears to slow it down. I can not tell you which combination, I have been trying to figure that out myself. For some reason no one seems to be able to answer that one, and I can not figure out it from the diagrams on the cover. It looks like to me all it gives is combinations for thread cutting. So far I have net got a smooth cut either. Clint (6069)
Dear Auntie Dodo, ...gotta be careful how I spell that one! If your looking for a precision finish that is also to dimension try this pine and stick a piece of 200 grit wet or dry silicon carbide sandpaper on it. You can either use contact adhesive or PSA paper. The piece of wood should be slightly larger then your part. It can be made by drilling a 2X4 with a hole-saw. Just use half of the hole ( Attach the block to your tool holder using screws tapped into a piece of CRS that slips through the tool post holder. Set the long feed for a fast pass. Use diesel for a cutting fluid. Turn on the lathe, put some light pressure on the piece as you engage the feed. Kinda like knarling with very light pressure. Check your progress with a mic. Some guys make a more elaborate set-up using a roll of fine sil/con that can be advanced after each cut. This is the poor mans OD grinding. It takes off less material and may leave a better finish. Ron (6070)
Here is the deal on screw cutting feeds to feed rates. Threads per inch divided by 1.0 equals your feed rate in thousandths per rev. Or you can calculate it from the ratios. If you can figure ratios you can figure feed rate. ratios are number of teeth / number of teeth= gear ratio. Ratio X ratio until you get the final drive ratio. FD divided by lead screw pitch(ie.125") (or 8 threads per inch lead screw)= feed in .001" took me a little while while to figure out this formula but it works for C type lathes that feed of the half nut. for good finishes you need to feed at about .005" or less at higher then normal speeds for the diameter. this is a generic rule though. Kerry (6079)
Clint (and antiedodo) I think you are really asking two questions. The first question is "how do I get good surface finish?. Especially for many amateur machinists cutting steel, this seems to be on a par with determining the meaning of life. There is a long list of aspects to consider, like cutting tool profile (relief angles, clearance angles, tip radius, etc), tool sharpness, cutting speeds, feed rate, depth of cut, lubricant, etc. There are lots of books which will help here, at least in terms of the basics, but in general good finish comes with larger tip radii, perfect tool sharpness and fine feed rates (after the basics are covered, like tool angles and cutting lubricants). The part of all this affected by the gear train is the feed rate, typically expressed in thousandths of an inch of feed per revolution of the workpiece. For good surface finish you want to be in the range of a few thousandths of an inch per revolution. For lathes with power feed in the apron, the apron typically has additional gear reduction, as well as taking the feed from a keyway in the leadscrew rather than using half-nuts. On a typical lathe of this type, a leadscrew speed corresponding to 160 TPI (i.e. a thread pitch of .00625") feeds the carriage about .002" per revolution when using the longitudinal feed arrangement rather than the half-nuts (that is, about another factor of 3 in speed reduction). I think your lathe, Clint, is a Type C, which as I understand it has only half-nuts in the apron. As such you need to use the gear train to slow down the leadscrew until it moves perhaps .002" to .005" per workpiece revolution. Since the leadscrew has 8 TPI (i.e. 0.125"/revolution) you need a total gear reduction of about 25-60. "How to Run a Lathe", at least my 1950 copy, shows gear setups for a Type C which fit this category. If you don't have a copy, by all means get one, not only for this but for many of other aspects. The pictures show a triple reduction arrangement for all these feed rates. For .0021"/rev, they show a 16 tooth stud gear driving a 54/18 tooth double gear (causing the 1st reduction of 16/54), the 18 tooth gear on the latter drives a 72/18 tooth gear (yielding the 2nd reduction of 18/72), and the 18 tooth gear of this double gear drives an 80 tooth screw gear (for the 3rd reduction of 18/80). For other nearby feed rates (up to 0.0063") the overall arrangement is the same, with different stud gears. I think you will need the picture to see how they all go together. It is the same picture as is on the chart on the gear cover, if you have that. Frank (6104)
Frank, this is something like what I was asking, what gear arrangement are most using for just a finish in general, I do understand what you say, there is a lot of variables, and different arrangements. I thought maybe there was a general arrangement to get a little practice in and then go from there. My cover has 3 pictures. Clint (6108)
Clint The picture of the Type C index chart in the 1950 edition of "How to Run a Lathe" shows 4 different arrangements (in figures 1-4). #1 shows a "speed multiplier", where the leadscrew turns faster than the spindle, using the 18/72 gear with the 18 tooth driven (by an idler gear from the stud gear). #2 shows the stud gear "directly" driving the screw gear (via an idler, which doesn't change the ratio). You get one level of reduction, with a ratio equal to the stud gear tooth count over the screw gear tooth count. the 3rd figure shows a two level reduction, with the stud gear driving the 72 tooth gear of the 72/18 pair, and the 18 tooth driving the screw gear (again through an idler gear which doesn't change the ratio). The 4th figure is the triple reduction I described last time. It sounds like your index chart doesn't have the last one. Tony's site www.lathes.co.uk has a photo of the 4 figure chart. Do you have a 54/18 double gear, as well as a 72/18 double gear? If so I think you can set up the 4th configuration (for very fine threads, or fine longitudinal feeds). If not, the finest feeds you can do (with Figure 3) is .0083" per revolution. With a large cutting tool tip radius that should still give you a reasonably decent finish, if you have everything else under control. You can also practice manually feeding the carriage extremely slowly and smoothly, to start to get a feel for everything else (like speeds, depth of cut, cutting tool geometry, etc). Frank (6109)
Frank That clears things up for me, I was mistaken, I have 4 pics, See I was unclear because I assumed the first pic was for the finest feed. it all makes since to me now. I think I do have the 54 tooth, but will have to go through my gears to see I am converting my second SB 9" to a QC gear box, I assume that It also has a setting for the fine feeds. I think this lathe will be a good machine to spend the money on, I already have the QC box, power cross feed for both, the ways are nice, headstock is good. All I need is a the drive brackets and pulleys, a tail stock, and I still am looking for the Mod C lead screw, to cut a keyway for the crossfeed, and then a MOD A leadscrew for the conversion on the other. I have a heavy 10 carriage ( Power cross feed) that is in good condition that I am willing to do some trading, also will have some other 9" parts extra. Clint (6112)
Clint Just to make sure, what you need is a mated pair of gears, 54 and 18 tooth, which turns freely on an arbor. I don't know if the standard set may also have a 54 tooth screw gear (with a keyway). I expect that with the QC gearbox and A/B type carriage (with power feeds), fine feeds get easier, due to the further gear reduction internal to the apron. Actually, if you get the power feed carriage on, the gearing gets easier, even if you haven't got the QC gearbox on yet. Frank (6113)
Disc facing
Another way of doing this is to bolt the disc to a face plate with some spacers of the same width behind it. Either use some drilled holes on the flange over the 5 inch diameter or some clamps. Bore and face the part. The diameter of the beginning plate would probably have to be a bit larger, say 6 inch diameter for it to be faced, so you wouldn't have a parting line on the face. Then bore and face the part. Next ,and don't remove the clamps just yet. Clamp the disc to the face plate with another clamp, with a draw bolt through the spindle bore. When this is done then you can undo the outer clamps and turn the OD. It would also depend on how many you were going to do. You could make an outer rim and a step on the disk itself. The outer rim would have a bore to slip over the diameter you would turn on the disk, say 5.125 or so, then with a bore in its back to clear the OD of the stock of the disk. Hope this helps. Also, you could put some bolts in the face plate and face them to have something to space out the part from the face plate. Still be carefully where you but the clamps. I would but them on the area close to the spacers or you might warp the disk. Also, the disk will remain concentric if you keep the out clamp tight till you get the bore clamp on. Tom (6250)
Black finishes
Good question Mario, When I complete a tool I usually degrease it in a solvent like alcohol to remove dirt and fingerprints. Tie on some bailing wire that has a loop on it for retrieving. Then either put it on the stove gas ring or in the wood stove. If I don't care to harden it, I'll let it go to a dull cherry. Then remove it and dunk it into a bucket of cold 30wt. motor oil. Use the kitchen stove top for small stuff. For big stuff, I put a piece boiler-plate on top of the coals to keep the tool out of the ash. In your case charcoal will do fine. It can be used to heat-treat as well as anneal and color. A small 5 gal. garbage can, (metal of course!) with a lid and expanded screen double-bottom; along with 2 vents will do fine. We can design a coloring chamber from this later if you want. Now if all you want is a rainbow finish instead of black put the piece on a fire brick and dance a large hot flame over it until you achieve the desired look. If you want to do an 'apartment-finish', buy enough 'Perma-blue' to cover the object in a glass vessel. Be sure you pre-clean it to remove every bit of oil, dirt, and above all finger-prints! Put it in the drink and leave it there for a day before checking it. Professional gunsmiths will have an exhaust hood over the vat so they can heat the brew to accelerate the process. You can do this only if you have the proper equipment and can do this OUTSIDE. You will have an odor to deal with so I hope any house-mates like the smell of 'Ode To Forge'! regards, Ron (6297)
Anybody have a good recipe for blackening brass parts? I think there used to be a selenium solution that gave a brown color. MSC sells some stuff - two part product Anybody tried it? Frank (6298)
Any of those finishes you fellas been talking about work on aluminum? Or know of some easy anodizing method for the home shop? Thanks for the response on my turning question earlier this week. Alphawolf45 (6299)
Frank this suggestion that I have for you to try is not what you're after but it is interesting science and if you putter with brass often enough it could prove useful to you sometime. I used to restore antique radios and often got an old radio that some fool had put a buff shine on the brass dial covers or other trim parts. To age the brass ( sort of a controlled tarnish), I would suspend the part over a bowl of ammonia and let the fumes turn the brass black. Don't like the look? Soak the part in the ammonia and it will return to the original finish. Weird huh? Alphawolf45 (6302)
Ron, That sounds like fun! For my purposes, the oil quench will probably do just fine. I have an old smoker that I don't use; it might be just the ticket for a coloring chamber. Do you have any references as to where I might read a little more about these processes? By the way, I'm not familiar with the technical term "apartment finish"!? Mario (6303)
Ron Newman wrote the definitive online guide to anodizing here: http://www.focuser.com/atm/anodize/anodize.html A friend of mine followed his instructions and has turned out some beautiful work. He did a few of my parts too and they look great. c (6304)
Corey The anodizing instructions look very comprehensive. I will need to be a bit more rested to read and comprehend the instructions but i thank you for the link. Alphawolf 45 (6307)
Turning question
I have had a lathe for a lot of years now but I am still learning. Yesterday i was making the threaded center for a backplate for my largest lathe , a 20 by 52" capacity machine. Point is that I was working a big piece of steel and removing most of it with the lathe. Does anybody on this list who uses high speed steel bits with their lathe , grind chip breakers into their bits? I have never had any luck with that and yesterday was one damn long day of dealing with long razor sharp stands of hot shavings. Even when boring out the center of the workpiece I had to stop frequently and remove the tangle that wrapped around the cutter. I use carbide a lot when milling but haven't had much experience of carbide at the lathe and never had a chipbreaker on the carbide when i did use it. Okay what's the secret? Alphawolf45 (6271)
It sounds to me as though the "secret" in this case is the material. Most of my carbide inserts have chipbreakers, and I've occasionally used a small stone in a Dremmel to play around with putting a chipbreaker on some M2 tools. I've never found a real solution to long swarf, but here are some things I do that either help, or make the job a bit more tolerable. Not pleasant, but a tad less irksome. Reducing the top rake and side clearance can help sometimes, but as the included angle of the cutting edge goes bigger, the finish quality gets worse and the power and rigidity required from the lathe increase. I have a roughing tool with only 2 degrees of rake and about 3 degrees of side clearance, just enough to bite. The finish is pretty poor, but the swarf does tend to break a bit more than with a standard tool. You need to do the finishing passes with a tool ground normally, but at least it helps sometimes. In most cases, steels generate springy lengths of swarf rather than chips. Leaded steels don't do this, but most of the steels I cut do. The swarf "springs" may break when they get 6 to 8 inches long with some steels such as drill rod, while other steels will just keep making a chip that's 12 or more feet long. Depth of cut has a bit to do with this as does the rate of cutting. If you cut drill rod deep with a thick chip at low RPM, you can make a lightly blued spring that won't break for anything, it's staying in one piece until you stop the cut. Swarf from fine fast passes seem to break into much smaller pieces, either due to the surface roughness of the stock creating stress risers in the swarf, or perhaps the drill rod swarf is cooling fast enough in free air to harden to the point it breaks easily. The thicker the chip, the less it wants to break. When I run into a steel that just plain won't break the chip, I either make sets of cuts into the stock, maybe an inch or so apart, to around the final depth, so the cut becomes interrupted as the power feed advances the cutter past these gaps, or flip the power feed off when the length is getting silly long or dangerous, just to break the chip. I got the idea of toggling the power feed from the peck drilling feature available on some higher end mills and radial drills. You do get a disruption in the cut each time you stop the power feed, so the final pass or two needs to be done in one continuous cut if this isn't acceptable for the job. Some steels will let you break the swarf with a chip hook. When boring a material that behaves this way, I often cut the bore to almost final ID in steps maybe 1/4 inch into the work at a time, then do the final bore to size down the entire bore. This way you have more room for swarf to make its way out past the cutter rather than tangling and packing around the boring bar. If it's any consolation, I've sure had to untangle more than one boring bar myself. The deeper the bore the more it tangles. Not fun. This is one of those pain in the rear issues the books don't seem to talk about, they seem to always say "Just look at the lovely continuous cut, with the smoking hot swarf curling nicely off the tool!". I think the caption writers have never done a 2 foot pass on a mild steel shaft, or if they have they've always worked in shops with large open floor area so clean up isn't a hassle. If they have even been flailed by one of these beasties getting snagged by the chuck, with the length of swarf spinning around throwing off bits in all directions they seem to remain quiet on the issue. I sure don't see anything lovely about a 15 foot length of springy razor edged swarf, particularly when working anywhere near the chuck. It's one of the few things about machining that I actually find zero pleasure in. Sounds like we share our failure to appreciate this particular form of beauty. Stan (6274)
I switched to a Kenametal 5/16" shank tool bit holder with a T221S insert and corrected about 75% of my long swarth problems and does a lovely finish. My 5/16 Kennametal boring bar with the TPMT 2151 insert also breaks a lot of the swarf. The boring bar is hollow so when I do any amount of boring I hook up my luber pump to the back end of the boring bar and I run another luber hose off a tee to run coolant over the outside of whatever I'm boring. Seems if you keep the heat down you get more chips and less tangled swarf and it stops the case hardening effect especially in turning stainless steel. I make stainless blow pipes for the glass blowing industry and have to drill a 3/8" hole through pieces of 1"x 8 3/4", 309 stainless. If you let it get hot just once you've had the green weenie as it instantly hardens and you've had the bun. (6278)
A few other things to try are taking a deeper cut and try different feed rate and speeds. Generally a deeper cut and a faster feed rate. You will just have to see what your setup can handle. Also, make sure the tool center height is correct, especially with ID tooling. Also, with long B-Bars, they get drugged down off the center line. You might try and set the tool nose a bit above center line and see if it helps. I really haven't used this for ID tooling, but mainly for cutoff tooling. Just giving you some things to try. I would say to try the coolant. Get a spray bottle and mix some up. If you don't have a coolant solution, try soapy water. Its been more than a few year since I've used HSS tool bits. The inserts make life so much easier. Still, many of the newer machinist just don't develop the touch to grind tooling for odd forms or radii. The way I was taught to grind a chip breaker was to have the bit at say a 30 degree angle to the grinding wheel with one of the side corners or the bit pointing up. (or say the flats 45 degrees from horizontal or vertical). Grind the total face (front) of the bit at this angle (you could say compound angle). There should be a point essentially on the upper left corner now. You will relieve the left side, say 5 to 7 degrees. Next with the corner of the wheel, grind a gouge across the top. Deepen the gouge and advance it till it just starts to make a sharp edge, with the angled front or end face of the tool bit. The tool should be done now. Maybe sharpen the edges with a stone. Not exactly the best instructions, but its the best I can explain. It more of a visual thing. Tom (6279)
Vibe trail?
My SBL 10 seems to leave a very pronounced finish, /////////// across any shaft. What is causing this? The slant pattern suggests some kind of vibration but I'll be dammed if I can find it. Probably something very simple right under my nose. TODAY'S BONE HEAD SHOP TIP: Want to do some real quick diameter layout but don't want to use layout dye? If your doing face work and want to skin down some diameters, just put your 6" scale on the tip of your tool and watch the scale as the facing commences to your desired O.D. When you get close to the diameter, just stop a bit short for some clean-up. This works real good, tried it yesterday. Ron (6597)
Ron, It might be a resonance of the belt drive. I'm not sure of any real cure. Maybe one of those link type belts. They claim to reduce the vibration. Sometimes I'd take a piece of wood and press it to the part. This would help reduce the vibrations. Also, o-rings on the part sometimes reduces the vibrations. I am taking it that your lathe it tight etc. I wouldn't expect anything less from you. I did have this problem with some lathe at school more than a few years back. They were Enterprise lathes from India. These lathes were silk smooth, but had a vibration problem on longer parts. It made doing barrel work about impossible. I was one of the few who used these lathes. From what I understand, the belt adjustment was a problem with these lathes. Tom (6598)
How on Earth could an O-ring reduce vibration? I've heard this before, but the physics escapes me. Flash (6600)
More information please. Power feed? What pitch between marks? What pitch have you selected for feed? Describe your cutting tool, is the tip of a smaller diameter than the feed pitch? If you put your hand on the carriage during feed can you feel a cyclical motion at the same rate as the rotation of the leadscrew? Just a few ideas. Anthony (6601)
Damping. David (6602)
Vibration is the key to solving the problem. I used to do vibration analysis on large rotating equipment, with a vibration analyzer. You have a graphic vibration analysis on the work piece. Try to find what rotating component if the lathe that pattern corresponds to. RC (6603)
Ron, I'm sure you have check the following: Headstock Bearing Clearance, Belt Tension, Motor bearings, Does the lathe have a sheet metal base or the cast iron base? Sheet metal will resonate more. Does the pattern happen only in back gear? Back gear clearance may be off. Is the cone pulley loose on the spindle? This can cause finish problems in direct drive. Is the rear saddle gib too loose? Is the headstock bolted down tight to the bed? Does the pattern only happen at a particular feed rate or R.P.M. (i.e. Surface Feet Per Minute)? Is the tool bit properly ground and sharp? I know that you are an experienced lathe operator but for the benefit of those who may be having the same problem, I listed these most likely sources of vibration and surface finish problems. Webb (6604)
I have a vintage 1952 SB light-10 lathe, which I have cleaned up after an interval (15-20 years) of storage in a closed-out high school shop. It seems practically new after clean-up and paint (get some original paint from SB and then you only have to paint what needs it} but noise and vibration from the underdrive cabinet was terrible. After long periods of storage, the v-belt takes a strong set and causes a strong vibration. I installed a segmented belt, which set up a terrific growling noise. You should know that the initial drive uses oversized pulleys (5/8" across the belt), so the segmented belt contacts the bottom of the groove, instead of the sides of the pulley. A fresh belt of the proper width (type 5?) killed most of the vibration. I also padded the motor mounts with rubber washers, which also helped. Over tightening the motor mount bolts will bring the resonance of the motor back, though. Padding the interior of the cabinet with Dynamat (used by the teens to line their superwoofer enclosures-standard disclaimer) helped much less than the new belt. H. J. (6605)
I believe that the idea is that it changes the mass of the part slightly, which changes its resonant frequency. Resonance only occurs at a specific frequency and its multiples for a given part. For example, if you have an out of balance wheel on your car, you might get a vibration at 30mph. But you would also get a vibration at 60 and 90mph since they are multiples. 31 mph should be enough to stop or reduce the vibration. If you are experiencing resonance while turning a part at 240 rpm, and you add mass (i.e. o-rings, wood etc). It may bring the resonance frequency to 239 rpm, which although it is a small change, it should be enough to make the problem go away. C (6606)
Flash; Change of mass and damping, with damping being the main mechanism. This is the similar to the standard practice of wrapping a brake drum with a rubber band (a big one!) prior to turning on a brake lathe. On a brake lathe, the band may be weighted with lead, or simply be a thick band of rubber. Localized damping also tends to break up harmonic oscillations. While chatter is an oscillation, you may have had occasion to try to kill chatter and suddenly had the entire shaft start to go nuts rather than just squeal. In automotive applications, some front wheel drive half shafts have a rubber disk secured to the axle to provide damping. This won't stop all vibration, it just helps keep it in control so the axle doesn't start to whip or hammer the CV joint bearings. Stan (6607)
Phooey. The mass of an O-ring is trivial. How does it achieve "damping"? Where is it placed to do this? Both the tool and the work piece are many times the mass of an O-ring and exert forces orders of magnitude more than an O-ring could. As I said, the physics of it escapes me. (6624)
I clearly do not understand what takes place during damping. Can you enlighten me? Flash (6625)
The mass of the work piece decreases as the operation proceeds, changing (increasing) the resonant frequency continuously. I think the phenomenon is something else. Flash (6626)
There are several factors at work in a "singing" workpiece, and the more complex the shape the more complex the vibration pattern. We can drag out the differential equations and analyze every one of those modes if you wish, but more complex shapes would need a Cray to solve them. Even a simple shape like a long slender rod has waves running longitudinally up and down its length as well as radially, so damping approaches get impossibly difficult to quantify. We probably ought to assume for simplicity we are not talking about chattering, which is a much lower frequency movement of the cutting system and has more to do with toolpost and workpiece rigidity, elasticity, and mass than audible singing that leaves vibration patterns on the work. Damping with an O-ring, rubber band, or with your fingers works beautifully, as others have said. (Yes, even the renowned late teenut (Robert Bastow) on RCM spoke of using this bare arm, bare finger holding technique at times, though I would never personally do such a dangerous thing, myself. I would never do anything that OSHA says might harm my delicate bod, since they are my heroes and I always support everything they say. I even post MSDS sheets on the wall of my garage.) :-) I agree with Flash that mass would at first blush seem an unlikely major contributor, but it turns out to have something to do with reducing both amplitude and frequency of vibration. If you were to try the finger approach on a lubricated slender rod - against all reason - I have been led to believe that it takes very little pressure pinching the rod between thumb and index finger for the "singing" to reduce or stop. Since one's skin has very little mass, that suggests a different physics at work, at least in part. Don't forget that the vibration can originate partly in the tool bit and its holding system, which has sound waves running up and down its length as well. One clue to what's going on might be derived from watching someone play a violin - if you play a note on the open string and then just *barely* touch the string (which is certainly a long slender rod) at the right point, the note becomes several octaves higher. If you press harder, the frequency drops back to a single octave above the fundamental. Without getting into the math, it turns out that extremely tiny changes in the vibrating system can damp out or change the fundamental drastically. Some of the effect is caused by mass, some by tension, and some by the point of application of the damping. The point of this much too long winded discussion is that when you are talking about traveling wave effects, you are dealing with forces that have nothing to do with the large tool-to-workpiece force that Flash mentioned below, and can be much smaller to produce a large effect. If anyone is interested in learning more, you might want to borrow a first year college physics book and turn to the section on Sound. You'll generally get a good discussion of fundamentals without a lot of heavy math at the beginning. And that's enough philosophy for now. Mike (6627)
Think more of it as a shock absorber, soaking up the energy that would just continue to otherwise build. (6628)
Concur in spades, LaPlace and s-domain aside, there are probably no less than 20 to 30 resilient pieces ( probably more) and as many contact gaps, one driver ( motor-which provides both shaft torque and housing vibration) and more friction forces than I could guess. the real point is - there are most likely only a very few places this problem originates and it's most often that it is somewhere in the drive train close to the motor and its reduction unit and vibration controls. generally, this kind of stuff can be found once you make it start - use a mechanics stethoscope ( or make a cheater if you like) and hunt down where it is loudest in the fixed parts and housings. there is where you need to look to dampen or avoid it. a very small change there could defeat it entirely as the evidence on the workpiece is the result of STORED energy in the mechanical system not being released or transmitted smoothly. the damping change does NOT have to absorb all of the energy, just change the harmonic response characteristic enough to remove the storage phenomenon. (6629)
Trying to keep the complex simple :-] It is significant that the damping instrument in all the examples is not rigid, does not itself participate in resonant behavior. You have made me think that the effect seen here is a result of standing waves and therefore could be dramatically effected by the most trivial absorption of energy. One last question. Is the pattern that is produced on the piece very shallow and absolutely regular? Flash (6631)
I believe you understand the essence of it. pjwizr_99 said it better than I did, and the use of a stethoscope is an absolutely brilliant idea. I've filed that away for later contemplation. It's worth noting that some lathes, like my Hardinge HLV-H, go to unusual lengths to keep vibration inducing mechanisms to a minimum. For turning and facing, Hardinge uses a slow speed DC motor that drives gears directly in the carriage. I've observed the whining gear train in the South Bend Heavy 10 introduce some fascinating patterns - though slowing the spindle speed usually helps that sort of thing. If you can feel vibration on the headstock, then the pattern is being introduced by that external excitation. -Flash- As pjwizr said, there are multiple elements contributing their own resonant frequencies to the mish-mash. What you get is a pretty good demonstration that Fourier was right - with a depth measuring microscope you could probably discover a fundamental frequency and all sorts of overtones in the pattern, and they may well form a corkscrew pattern on the OD depending on their contribution to the overall mix. The fundamental may or may not have the greatest amplitude (depth) but since several frequencies are present, there will usually be one that will have the greatest amplitude, and of course it will be repetitive since it is a sine wave. If you are asking if a given repetitive microscopic depression could be parallel to the axis of the work piece, it would to my mind be unusual - that would seem to be more of a vibration from the toolpost system than workpiece vibration, though that would probably require additional thought. Mike (6633)
And with a good enough measuring instrument, you should be reconstruct and play back what the machinist was muttering as he tried to deal with the problem. Chris (6634)
Flash; A damping material absorbs mechanical vibration and converts it to heat. As the energy usually isn't very high, the heat produced is quite small. Most damping materials will move, just not quickly. You can stir thick oil with a flat paddle slowly, but if you try to move fast, the energy required to produce the movement goes up quickly. Add a little valving on the stick, move it up and down in a column of oil, and you have a shock absorber. If you've ever installed shocks, you know you can pull out the shock rod slowly, but if you try to give it a fast tug it just won't move. Oil provides viscous damping, rubber provides elastometric damping. In either case, the idea is to make a spring (or in this case a system that can be modeled as a spring) stop oscillating. If you're into electronics, a bypass capacitor on a power supply line is the electronic equivalent of mechanical damping. Yes, this is a gross simplification, but hey, it's close enough for a high level view :-) You may have run into this also when cutting some materials, a thick cutting oil and fresh way oil on the carriage and dovetails may stop a chatter than won't go away with any speed or depth of cut combination. There's a fairly decent overview of vibration and damping at: http://www.lordmpd.com/pdf/ia_theory.pdf I don't recall all the previous responses you've received, but have you: 1) Used way oil on the bed and carriage 2) Checked that your gibs (cross slide and compound) are snug and oiled 3) verified that the tool geometry is reasonably correct for the material 4) minimized overhang and provided as much support for the work and tool as possible? Usually one or more of these four steps will sort it out, unless your headstock bearings are out of adjustment or defective or the drive system is inducing the vibration. A flat spot on a drive belt can really get things bouncing. Lantern toolposts are particularly prone to oscillations if the tool is sticking way out in air, creating a cantilever with the beam of forged steel which loves to ring, and a long lever to apply to force to any looseness in the support structure (compound and cross slide.) If the compound travel is at an extreme limit, you also tend to find more chatter. I try to set things up so the toolpost downward force is carried straight down to the carriage, rather than having to zig zag back and forth through the compound. Stan (6635)
It's not the mass of the O ring that gives the damping effect but the energy absorbing property of the rubber. If the O ring material is compressed and then allowed to expand not all the energy is recovered. The rubber gets slightly warm. The mass of the O ring will change the resonant frequency. A simple example; wet your finger and rub the rim of a clean glass, it will 'sing', put water into the glass and the note will change. Put a rubber band around the glass below the rim and it will not resonate. David (6640)
Vibration problem
I guess that I am not the only one having this problem. I have a 10K and have totally rebuilt the apron, including boring and bushing the worm, worm gear shaft and the hand wheel shaft. The handwheel shaft was to badly worn and scored, that I had to machine it to .594 and ream a bushing to size. I also made several piloted shell reamers to repair the worm and wormgear bearings. If anyone is interested in doing this (it is a real pain to do) I have photographed the reamers and procedure in my mill. I also re-shimmed the headstock bushings and adjusted the spindle endplay. None of this seem to fix the spiral and other patterns that I get when I take a finish cut. My dear old dad's 6in Craftsman lathe gives me a superb finish. If I can come up with an answer to this very vexing problem, I will post it. tomd (6616)
Are you using the same tool for finishing as you're using for roughing? If the tip diameter of the tool is less than the feed pitch you are, in essence, cutting a fine pitch thread. Of course there are many other potential sources of the problem, the only reason for mentioning the above is that it's an easy problem to correct. Anthony (6620)
Also the same comment applies to depth of cut to where the depth of cut should be greater than the tip radius of the cutting tool. JWE (6621)
I am using a tool with about a 1/16 radius and the feed set at .0018 in. per revolution. I have tried other spindle speeds/feed rates and it just makes the pattern different. (6622)
I came to the conclusion that the only thing left that was causing the weird pattern problem. I made a shaft that extends thru the spindle with a 3/8" machined end to fit my angle drill. I disconnected the spindle from the belt drive (I have a bench model 10K with v-belt drives). I engaged the feed to .002/rev. and turned the drill on at approximately 1000 rpm. Eureka!!! the weird pattern disappeared. it seems that the problem is caused by something in the belt drive system. Will pursue this further next week. tomd (6623)
Just a thought but is your chuck on the spindle tight with all its fixing screws done up and the headstock bearing in reasonably adjustment and the bit your working on not too long and thin etc? pp (6630)
Rings on workpiece
Been playing with my newly installed QC box and power-feed apron. Here's the deal: Turning a piece of stock about 3/4" OD middle backgear speed about 4" out from the chuck .008 cut set up for the slowest feed possible [.0015] with an indexable carbide cutter or with a HSS bit makes no diff compound and cross-slide gibs locked down tight rear saddle gibs snug enough to lightly drag the handwheel on manual traverse bed reshimmed so there's no rocking of the saddle--sits on all 4 corners. I think the tailstock end is floating until I get the bench rebuilt... toolpost locked down tight change gears set loose enough not to whine or bottom and tight enough not to clatter nice smooth finish, but I get a pattern--every 1/8" or so the diameter of the workpiece varies--min to max diff is about .009...like a stack of wooden barrels i guess is how I'd describe it. playing with the feeds changes the length of the barrels. is the tool perhaps loading up and playing with the depth of cut? there's no chatter, no grinding, no funny noises to speak of at all...it does it both with a piece of 360 brass and with a piece of some sort of funny tool steel my buddy laid on me going to a faster feed, like 224 tpi on the halfnuts without the apron power feed, the problem either goes away or the 'barrels' become so long it gets lost in the bed-wear-taper shuffle. reversing the tumbler at the end of the cut without changing tool depth it mows all the high spots on the back-cut. that almost sounds like the carriage is still walking around a little but doesn't explain the 'barrels' effect. what is causing this? I checked the headstock, spindle slop is about .0015 so I hope it's not feedscrew-drive gears worn out of round going in and out of phase and loading and unloading the spindle. Seems to me that'd only be a problem if the teeth were bottoming anyway. Is there something about power-feed aprons that can cause this? something in the geartrain inside the apron out of round loading and unloading the saddle against the front way? it sure looks like the effect of something going in and out of phase, but with the compound and cross-feed gibs tight and the saddle gibs snug I'm lost. oh yeah, I didn't mention with the same parameters and a much deeper cut ['050] the finish isn't as good but the barrels effect isn't there. the brass is a long piece of stock through the spindle and supported by a live center in the tailstock [locked down tight with the ram locked] the steel a short piece held in the chuck but also supported by the tailstock...is too slow a feed somehow causing the workpiece to flex like when you 'whip' one end of a rope laid across the ground and watch the 'wave'? am I getting a torsional flex in the bed itself with the tailstock end floating on the shims? lurch (6925)
I have the same problem with a Logan. I have replaced all the bearings and rebushed everything to no avail. I have never figured it out yet. although I suspect its in the V belts somehow even though I have replaced them all. (6926)
The usual noises of the thing running seem to fade in and out like an airplane with the engines out of sync...and the timing on that does somehow seem to correlate to the 'barrels'. I'll have to play with it some more tomorrow and see what more I can observe. The only things I can figure could possibly cause it are: 1] the carriage/compound/tool post are somehow walking around or else 2] the spindle is walking around or else 3] the workpiece is flexing or else 4] the bed is flexing I wonder if there's some workpiece flex happening at a frequency way, way too high or too low to hear? If the workpiece is flexing that maybe could account for it. I'll have to try some thicker stock and see if the problem is still there. I don't recall ever seeing it on thick stock. I've got a piece of 3.5" OD steel about 5" long, ought to be plenty stiff enough... Something else I haven't tried yet--does your Logan do it turning between centers or only with the chuck? If only with the chuck, is it only when using the tailstock? If the tailstock is set too tight [ram extended too far], would that cause workpiece flex? Does the problem get worse as the workpiece heats up or as the headstock heats up? This is a real puzzler, huh? (6927)
Several of us touched on this subject a while back when discussing "patterns" on the workpiece, but we were focusing on harmonic effects that leave high frequency patterns of less than .001" depth in an otherwise smooth finish, so the only reference made to your problem was in passing. You mentioned an order of magnitude increase in the depth of cut from the patterning discussed previously - a .009" delta in OD is huge! I hate to drag out the old "your lathe is made of stiff Jell-O" analogy again, but it sounds very much like that's the fundamental basis of what you're describing. You've analyzed the variables correctly below - everything forms part of a large spring system whose spring constants are lower for smaller lathes, so all those factors are elements in the problem. However, the place to start working in my limited experience is the edge of the cutting tool, and then work backwards down the chain of the spring system to see where you might introduce some improvement. (This assumes the spindle bearing clearance is set up correctly.) Normally, if your tool face is cutting well, with the right coolant, you'll have a beautifully smooth finish. If it's not, because of tool height, clearance angles, tip radius, or attack angle, you will often get a "digging in" every so often, frequently of the magnitude you describe. It usually occurs on lighter cuts as you describe. What appears to be happening is that the tool face doing the cutting gets pushed away from the work against the spring of the lathe, cutting less and less because of one or more of the factors above being wrong. At some point, the spring system forces get to a point where those forces are enough to overcome the "pushback" from the work, and the tool quickly digs in back to the original cut depth. This seems to occur especially with improper clearance angles on the tool bit, a "ramp" angle on the tool (using a threading tool to do normal turning, for example - the ramp on the left side forces the tool bit away from the work with greater force than a tip with the cutting edge perpendicular to the centerline of the work), a dull cutting edge, or a cutting edge that is set too high or too low rather than on the centerline of the work. Another point to look at is how the tool tip "swings" on its pivot, again with the stiff Jell-O concept in mind. The Aloris type holders exacerbate this problem since the tool is suspended to the left of the pivot point on the compound. Push it away from the work and the tip describes an arc that digs into the work when the push is removed. Put the tool on the right side of the holder, and the arc is either tangential to or away from the work, so you might try fiddling with that approach as well. This is described in the South Bend "How to run a lathe" book, though it's addressing the potential for the toolholder to slip (it's figure 140 in my 50th Edition). The principle is the same, however. There is often very little you can do to increase the rigidity of your particular spring system, especially in a small lathe like the 9", so the only thing you can do is to work around the problem. Assuming your tool bit is ground correctly (and I would be leery of assuming a general purpose carbide insert is already ground to suit your particular lathe - even though it may be fine on a larger one), then increasing or decreasing the depth of cut or changing the spindle speed or feed rate will usually help. I know this may seem unsatisfying...it would be nice to be able to set up a cut of any depth and any feed rate and have the finish come out the same. However, the smaller the lathe, the more compromises you have to simply accept as going with the territory, and work around the limitations in other ways. Mike (6929)
Tried it again and saw the depth of cut change as I leaned on the right rear corner of the saddle...so the saddle was walking around. With a lot of careful dorking around with the feed rate [faster], the rear saddle gibs [tighter] and the saddle lock [ditto] I got it resolved...but only when the aforementioned are snug enough it is difficult to traverse the saddle by the pinion handwheel. Is it normal to have to have things that tight? I'm thinking that's gotta put a heck of a load on the leadscrew etc but I do note the thing is almost silent under those conditions. This is a piece-parted-built lathe; I'm wondering seriously if the bed itself isn't wasp-waisted...or if each saddle has to be hand-fit to it's respective bed? (6930)
Lurch, Try moving the carriage front-and-back with your hands. This is what it appears to be to me; front-to-back slop that straightens out on the reverse cut. I don't think your workpiece is flexing, because wouldn't you have the barrel effect on the reverse cut as well? Reversing direction wouldn't cause the workpiece to stop oscillating, IMHO. Bilal (6931)
That little tidbit was sort of crucial to any analysis. If you've built up this lathe from bits and pieces, it's important to make sure all the parts fit together. The original lathes were machined with fair precision but not necessarily hand scraped for fit, depending on the era. However, when you build up a lathe from worn parts, you have a 50-50 chance that the parts wore in the opposite direction from the part you eventually forced them to mate to, quite possibly creating your situation. Before you can expect to get any consistent performance out of the lathe, you're going to have to run the measurements that Connelly describes in his book, "Machine Tool Reconditioning". This process is not all that difficult, but it will take patience and some Prussian Blue paste to see where contact is lacking, as well as developing some scraping skills. It is honestly beyond the brief interchanges possible on the reflector group. Don't be discouraged by this - the process is actually an enjoyable learning experience and will help immensely in subsequent machining operations. Mike (6932)
Great minds think alike. As I read your post I just came in from hitting every hardware store in town trying to find some Prussian Blue. My toolmaker friend had suggested getting some Prussian Blue and fine lapping compound and lapping the saddle to mate with the bed. Will write back after I do the Prussian Blue, but I'm betting right now the center-to-center on the ways is just a tenth or two off the c-to-c on the saddle and hence the saddle is rocking. (6933)
You can get Prussian Blue oil-based pigment at any art supply store. Get the cheapest brand. It comes in tubes. Usually it is in a linseed-oil base so it will dry and harden. Frank (6935)
And auto-parts stores. The local Sears Hardware used to carry it, right next to the valve-grinding compound...now they have two hooks of compound and no Prussian Blue. I had hoped that stopping at 3 different hardware stores would appease the '3-trip rule goddess' and the tube I bought to do the valve job on the bike would turn up, but to no avail. In the meantime, I put the original saddle back on the lathe the one that came with it, with the horribly wasp-waisted cross-slide dovetails and no room for the cross-feed leadscrew power-feed splines and the old worn-out crossfeed leadscrew and nut...and it doesn't rock on the bed, and the lathe cuts true now [well, after I reset the tailstock setover but that's another story I'll decline to tell because it's rooted in my own stupidity and impatience], no 'barrels'... So I think I'll leave this saddle on there and fit my power-cross-slide saddle and apron to the 10K 4-foot bed I just nabbed for a hundred bucks. Less danger of permanent damage from someday refacing the cross-slide dovetails than from reworking the bedways. Lurch (6937)
That is to say it cuts more-or-less true on the halfnuts. There's still a slight 'barrel' effect on the power feed through the apron but I'm not worrying about that unless it's still there after I disassemble the apron and clean and lube everything thoroughly. There's definitely some binding action inside the apron itself. Even with the apron sitting solid and NOT using the power feed, just the halfnuts, the effect is still there to an extent though so there has to be at least one more factor I have overlooked. Frustrating. (6941)
How to cut shims?
I need to put new shims into the spindle bearing casting on my SB 10k. I have never cut metal shim stock before - how do I cut it so as not to get a burr or raised edge? Also, is it worth getting the peelable shims used originally? Frank (7348)
I just recently got some of the peelable shims from LeBlond for about $10 apiece...the 'peelable' aspect is nice, but they do require some work. If I had to do it over again, although it would take time, I would have a local machine shop surface-grind the original steel shims on a magnetic chuck .001 at a time. (7349)
Is it possible to put the shim material between two matching well finished edges and use a Swiss file to bring your shim to size? Phil (7362)
As an engineer I've done a fair amount of shimming (mainly in the dim distant past!). It is not as fussy as some people seem to think - really thin shim one uses decent scissors and thicker shim one uses sharp tin-snips. To cut holes we used hollow punches, panel punches (rarely) or even a chisel for thicker shim. A small sharp chisel is also useful for awkward internal shapes and is used against a hard surface - one can always re-sharpen the tools used. We usually then tapped lightly around the shim edge with a light hammer for bur (if any) removal. It's almost the same as making a gasket but one takes care not to finish with raised edges. It may all sound a bit rough but it gets the shim made and if care has been taken with the edges of the finished shim I've never known a problem. Dave (7369)
Here is a note that I sent to Frank at terranovapress Originally the shims were as follows: 1. Aluminum thick shim 2. Peelable brass shims (these suck!!) I made a new pair of aluminum shims that are .021 thick (this is and arbitrary thickness that I used, because I happened to have the material) and lapped them so that they were flat and parallel to .0002. I used 400 paper and measured them with a .0001 micrometer. I can make you a set if you wish. I have an assortment of plastic stock. that I then cut them with jewelers snips. You could use a pair of manicure scissors. I have lots of shim material and would be glad to send you some. I measured the gap without the bolts, using feeler gages. I then placed a plastic shim and the aluminum shims into the gap and torqued the bearing cap screws to 33 lb/ft. Release and tighten the wedge bolts so that they are just snug. Put the heaviest chuck that you have on the spindle and use a 2 x 4 to raise the chuck/spindle to check to proper clearance (.0005 to .001). I used a piece of bar stock to lift the rear of the spindle. I assume that you have a suitable dial indicator to measure this clearance. If you do not have an indicator, I can loan you one. I mounted the indicator on a magnetic base and clamped it to the cross slide with out the tool post. You will probably have to do this a number of times to get the proper clearance. DO NOT USE THE BOLT TIGHTNESS TO ACHIEVE THE PROPER CLEARANCE. The plastic shim stock is designed to be used in this manner. After you think that you have the proper clearance, re-tweak wedge bolts so that they are just snug. As far as I can tell, their main function is to prevent the bearings from rotating. Adjust the thrust bearing to about .005 clearance. Run the lathe at high speed and check the temperature of the bearings, using your finger. If the get more than a little warm, you need to re-shim the bearing (s}. Regarding the back gear problem, I have a spec. that came with my parts manual, and will FAX it to you. If you want me to send you new aluminum shims and shim stock, let me know and I will ship them to you with the parts tomorrow. (7392)
Turning plastics
I thought this was just addressed, and searched the archives, but did not see anything. what cutter geometry for turning plastic with hss bits? same as steel? 5 deg side clearance, 61 deg cutter angle, 23 deg side rake, 5 deg front angle? do you set bit on center or above? I am getting terrible finish, galled and scored with carbides. So I figure on going old tech. dennis (7883)
If you are not doing precision work with plastics, you can use hand-held hss tools used to turn wood. I find the scraper works well. I put the tool holder parallel to the work and use it as a rest. Gives a nice finish with, for example, Delrin. Frank (7889)
I recommend very sharp HSS tool bits with a bunch of clearance. Note that in plastics, your tool bits will be very hot as the chip does not carry much heat off the work. We do a bunch of work with nylon and TFE. You might want to hone a small radius on the very tip of the bit. You should have very good luck machining. Oinkle Tom (7891)
Vibration Question from a newbie
I am the proud new owner of a 9" Model C Lathe. My question is as follows: On my lathe there is a motor with a V-belt pulley running a V-belt to a jackshaft. The pulleys the V-belt ride on in the jackshaft are not V-belt pulleys, but flat pulleys with no crown. The V-belt's bottom ride on top of the pulleys. The rest of the jackshaft has 3-step flat belt pulleys, with crown, that drive a flat synthetic belt to a set of similar pulleys in the head stock. The motor is pivoted on on side, and has a spring on the other, to the lathe bench. When I run the lathe, the motor jumps up and down by about a 1/2", which I can feel through the whole bench/lathe. It does not seem to affect the surface finish I get, except on a heavy cut. On the other hand, considering my skill at the moment, I could be totally mistaken. If I could get a better finish, maybe it would show up. Where I really notice it is drilling with the tailstock. The vibration seems to be coming, not from the motor or jackshaft, but due to the V-belt. It seems as 1 pass of the V-belt equals 1 peak in the vibration. Is this normal, or do I have it hooked up wrong? Fred (8323)
Fred. What kind of shape is the V belt in? If there are any cracks, separation or any signs of wear on the belt? Try replacing the V belt. Also make sure you have the right tension on your flat belt. I was having similar problems with vibration until I replaced the V belt. Now I have minimized the vibration to almost nothing. Also be sure that the motor and jackshaft assembly as with the lathe, are firmly secured to your bench. Just one opinion. Congratulations on you new ownership of the Southbend. Mine is also a model C. Bill (8324)
Fred, I think you answered your own question. It sounds like your v-belt has taken a "set". Replace it and be troubled no more. They are also really cheap and easy to change. There should be a size marked on the outer periphery or you could just bring it to an auto parts store or to Grainger. Good luck, Peter (8325)
Fred, The typical bench top set-up does not use a spring to the bench for belt tension. There is an adjustable length rod that goes between the headstock and the drive unit with a lever that pops over center. These appear on eBay from time to time. Look for "belt tension lever". I bought one from PKE in Libertyville, Illinois, but any of the dealers mentioned on this list could probably help you. Glen (8328)
On the setup I have there is no lever, or place for a lever, between the headstock and the jackshaft mount. Also, the motor does not mount on the jackshaft assembly. The jackshaft assembly mounts via way of three long slots to the bench. To tension, one pulls back on the assembly and then tightens the bolts. The motor mount is two pieces. One piece mounts on the bench and contains two pivot pins. The piece that mounts on the motor has two U-shaped grooves that sit over the two pins ( on the other half of the motor mount ). Tension is applied mostly by the weight of the motor. The spring just keeps the two pieces of the motor mount together. It all looks original. Tried replacing the belt, no change. Fred (8338)
Fred. The tension adjustment arm goes from the lever just behind the headstock to the countershaft frame. This is a rod about 12-14 inches long with a turnbuckle in between the two halves of the rod. You pull the lever forward to release the tension on the flat belt to aid in speed changes, and the lever is pushed back to lock position to tighten the belt. If you don't have this, it is obviously missing. No way is a spring going to give enough tension for satisfactory operation. Look at some of the photos posted and look for a photo that shows the rod. Maybe some of the more experienced owners on here can explain this more clearly. Bill (8339)
Fred. Look at my photos named BillsSB9C,the last photo in my album. This photo shows how the tension rod is fastened to the lever and countershaft assembly. Bill (8343)
That does not look anything like the countershaft assembly on mine. I will see if I can borrow a camera and post a picture tomorrow. Fred (8346)
Fixturing question
I have a workpiece .125" thick by 3.125 OD that I need to do some work on the face of and I can't mar the OD which is polished finish. It's 6061. There are two countersunk mounting holes in the face 180 degrees apart, 2.460 centers. I made a jig to hold it, looks like a steel mushroom. Marked on either side of jaw #1 of the chuck to re-fixture the jig in the chuck the same, and I can remove and replace it and it still runs true. I spotted the holes in the jig by setting a scriber in the toolpost with a piece of shim trapped between the scriber and a dead center in the spindle taper, then backed it out half the center distance of the holes to scribe a circle, then ran a line across the center of the jig and put the mounting holes where the circle intersects the line. 4 times I've done this. The jig is starting to look like Swiss cheese. I can't seem to get the two mounting holes accurately located. They always end up a little off. Where am I going wrong? Is my drill press perhaps not accurate enough? Even under magnification the holes look accurately located to the lines...and I'm using the drill press spindle [turned by hand] to start the tap straight [did I mention it's a new true spindle in the drill press?]...but go to fixture the workpiece and it's out of true about .030". Like, what am I missing that's totally obvious?
Lurch, Are you starting the hole with a center drill or just a drill? Drill will walk on you. If you center punch the mark, then start the hole with a small drill (1/16), this might help. When you drill to size, then other drill will follow the hole. Tom
My first thought is to apply the KISS principal and just chuck the whole shebang in a four jaw and indicate on the OD of the workpiece. That way you can dial it in to perfect concentricity. All jigs end up looking like Swiss cheese eventually, Lurch. :-) If you have a lot of parts to do, is there any reason you can't put a shallow step in the face of the jig to locate the workpiece on its OD? Then the clamping bolts simply hold it on, rather than being required to perform relative location duty as well. Actually, it sounds like a perfect job for a step chuck to me. You have almost created one with the mushroom fixture. Attached is a photo of one that should make you feel a little better about your Swiss cheese. As to your layout problem, I assume you compared the hole locations in the fixture with those in the workpiece each step along the way (scribe, spot with a #1 center drill, final drill, and tap), so at what point does it go awry? Taps are notorious for shifting around, but I can't imagine it shifting the hole center by .030" unless it was a pretty large tap and asymmetrically worn, damaged, or poorly made. A tap is one tool where it doesn't pay to buy imported goods. Mike
What about the backlash in the crossfeed, did you come from behind the center to get your starting point. RC a workpiece .125" thick by 3.125 OD that I need to polished finish. 180 degrees either side and I with a spindle scribe a mounting cheese. I always perhaps not accurately located hand] to the drill about .030".
RC a workpiece .125" thick by 3.125 OD that I need to polished finish. 180 degrees I have pieces I have to accurately face that cannot be gripped on their sides/edges. Have you considered a vacuum chuck? You could tape the mounting holes, or design the chuck so vacuum is blocked from them. Here is one I built, and use daily: http://www.gearloose.com
I recall about 40 years ago seeing someone affix just such a piece to a faceplate using flake shellac that was then heated and allowed to cool. It formed a great bond that held well and easy to remove. Frank
I would worry about this with 6061 Aluminum. The pieces might be made from a heat treatment such as T-6. Aluminum, Brass, Copper and other metals age harden. Applying heat to aluminum, will mess up its heat treatment. It sounds like this is a precision part. One question would be what type of screws are they? Are the hole from piece to piece the same? Could the next size bolt smaller still clamp the part? Tom
Other than that the job includes putting a bevel where face meets OD, no...I'm thinking I'll just take the whole mess to work and use the vertical head on the big Unimat with a coax indicator...trying to use the mounting bolts [countersunk flatheads] to fixture requires exact center-to-center and I think that's where it's going awry...time to go to capscrews with soft washers and a plastic mallet for final positioning…
I'm assuming your "no" was referring back to my question below about the small step. Since it doesn't need to be more than .030"-.060" deep, that would leave you plenty of room for beveling the OD. I presumed you had some work to do on the face that would preclude the use of cap screws - but if not, obviously that's an easier way to go. Still not sure why you were getting .030" shift in location - you might want to figure that one out on general principles for "the next time..." Mike
Why not hold your "off center" jig in a 4 jaw chuck and true it up with the independent jaws? Bill
Lurch writes: I spotted the holes in the jig by setting a scriber in the toolpost with a piece of shim trapped between the scriber and a dead center in the spindle taper, then backed it out half the center distance of the holes to scribe a circle, then ran a line across the center of the jig and put the mounting holes where the circle intersects the line. --- --- Like, what am I missing that's totally obvious? It sounds to me as if you took up the feed screw clearance one way while trapping the shim piece, then took up the feed screw clearance in the other direction while backing it off to the radius of the mounting screws. If this is the case, back the feed screw off at least one full turn beyond the radius reading, then feed forward to the exact radius reading. It would be best if, during this last forward feed and while you're scribing the circle, you hold the slide back by some means in order to keep all the slack on the one side of the motion. Also, lock the slide you are *not* adjusting (either the cross slide or the top slide). Does this help? Anthony
Could well be; I can't honestly say...too much gone on since chuckle However, I do feel that having to use countersunk screws to hold the part to the fixture makes the center-to-center matching absolutely critical and I don't think I can hold it critical enough on a drill press...better to change the order of operations so only the last OD trim is done on the fixture [with continuous stress in one direction rather than the stop-and-start, back-and-forth fixturing stresses of the graphics milling operations]... toolpost with a spindle scribe a mounting while the other If this the radius best if, you hold one side the cross
Lathe Vibration?
I have a 9" which is equipped with v-belt drive from the motor and v-belt drive to the spindle (shipped from SB equipped this way). The belt used on the motor is a fairly new Firestone and the belt used to the spindle is the old-fashioned 'jointed' (overlapping strips) v-belt, which is still in great shape. I notice when I run the lathe at normal speeds, I get vibration in the workpiece - about .0005" worth of it. It seems to make no difference what speed I run the lathe, the vibration is the same. I have the motor rubber-mounted to help minimize the vibration, and the bench is an extremely heavy sturdy, professionally built Lyon bench. I am wondering if this is normal, or what could be causing it. If I turn, pull, push, etc.... the spindle by hand, I can't get the dial indicator to move more than .0001", so I am fairly certain the headstock bearings and such are sound. I feel the vibration in the ways, on the piece to be turned, and on the bench surface. I am inclined to think the vibration is being transmitted through the drive belt (the older style one). Skip (10181)
Skip, There could be a number of thing that are causing your problem. I would try to track down where the vibration originates from. Remove the belt from the motor and turn on the lathe and see if the vibration is still there. If so, then there is a balance problem with the motor or pulley. If not, replace the motor's belt and remove the belt to the spindle. Turn on the lathe and test for vibration. If there is a vibration, it could be a balance problem with the "jack shaft" assembly or (more probable) the motor belt has taken a "set" and needs to be replaced. If there still isn't any vibration at this point (with the spindle belt removed) then the problem is most likely with that belt (again, it may have taken a "set"). Replace the spindle belt. I should say that I haven't used one of these linked type belts before but their reputation is for smoother running than "regular" belts. Webb (10182)
I had a vibration in an older Seneca Falls lathe that used the metal link (alligator clips) to hold it together. When the belt finally ripped I recut it and punched holes in the ends and spliced it with waxed thread. The vibration disappeared and the belt lasted almost 10 years before it tore at the holes. The waxed thread did not break. max (10183)
If your vib is the same no matter what the spindle speed then it's in the primary drive (motor to fly wheel) so it could be the motor, the belt, the fly wheel, bearings in the motor, or ??? Kerry (10187)
Large objects on faceplate
Another way it so use soft jaws and then bore them to the contour of the part. a little elaborate for a single part, but it offers one additional method for holding that odd part. Dave (11873)
Don't forget the classic way of doing it. Drill and tap the part and bolt it right to the plate. Nothing turns smoother. RC (11881)
Exactly what I did to machine an un-machined back-plate for one of my new chucks. I positioned tapped holes where they wouldn't interfere with the final piece, bolted it to the face-plate and dialed it in. One of the best ways to make sure you have a solid mount. Paul R. (11882)
Paul In the folder with ETWs article on the cross slide milling and dividing attachment are three articles on faceplate setups and angle plate usage that many might find useful. http://groups.yahoo.com/group/mlathemods/files/Lathe%20Milling/ -- JWE (11883)
JWE, thanks for that link. As some of you already know, I am just learning some of this stuff. Looks like I am going to have to make myself several variations of angle plates for different setups on the faceplate. I downloaded the articles that I could use. Bill C. (11884)
Yes, very nice articles, JWE. I remind all SBL members that JWE's mlathemods yahoogroup is a "Library of Alexandria" for machinists, old and new. Wonderful old articles on work methods that are entirely appropriate to our vintage lathes. With much gratitude to JWE, Paul R. (11885)
Paul, you are absolutely right. The articles he has uploaded are a great source of information. If it wasn't for the various member on these groups I wouldn't know near as much as I have learned from everyone. It's nice to feel like part of a family that share the same interest. JW, yourself and many others make a great effort to help those who are just learning. You guys are to be commended for all of your efforts. Bill C. (11886)
Turning Troubles
I am not very experienced at machining and I have a problem with turning a outside diameter with my South Bend 9" lathe. I have turned the gibs so tight that it is not easy to turn the dials but I still get gouges in a cylinder that I am trying to get to a specific diameter. Also, if I power feed towards the headstock and then power feed toward the tail stock the cutter removes material in both directions? I generally use the rocker tool mount and I have used cutting tools that are HSS, the "tangential tool" and carbide tipped tools. The tangential cutting tool seems to give me the best control and finish. I have tried moving the cross slide towards the back of the lathe and then towards me to remove as much "play" as possible and that seems to be the best. But what a pain to find a place to get the tool closer to the turning center line and then move it back to the setting I need to turn. Maybe this lathe is just worn out. I don't use it much but I would like to be able to use it when I need it. John (12201)
John: What material are you trying to cut? Try changing the feed and speed rate, usually the harder materials will give a cleaner cut at slower speeds. The power feed on my 9" I only use for thread cutting. I've found that the cleanest cuts are obtained by hand feeding the carriage. Cutting fluid can sometimes help depending on the material. 5000 and 6000 series aluminum likes denatured alcohol steel cuts best with water soluble oil (milk) cast iron brass and stainless I cut dry. (12202)
John If you are cutting in both directions it sounds to me like you are trying to take off too much material. Especially with a rocker tool post, it will "spring" if you are trying to slice off too much material, and when you come back the other way, you take a bit more off as it pushes back in. Not sure what you are trying to cut, but you may have the wrong geometry on your tool as well. Make sure that you have clearance, and try taking a very light cut by hand, rather than power feed. John (12206)
I have a bit of trouble following what you are doing, but if you find it difficult to turn the feed screw, you have the gibs much too tight. also, remove stock in one direction only - towards the headstock. Your cross-feed screw probably has a bit of wear, or backlash. Bring the tool a bit closer to you, then advance it toward the stock. Note the reading when you are taking a cut. When you have finished with one pass, bring the tool back to you, move the carriage toward the tailstock end of the cylinder, advance the tool to your previous setting and add however more you want to remove. That way the backlash is not a factor. I think you were doing it backwards, which does not remove the backlash, but makes sure it is still there! A lantern holder is perfectly fine - you also are probably cutting at the wrong fpm and maybe taking too big a bite. Unless the power feed is jerky (in which case you should fix the clutch) it should give you a smooth, even cut. Frank (12208)
Frank, What you describe is the way I have always done it. But I tried the opposite technique to try and find a way to keep the lathe bit from "digging into the work". I have the lathe turning on the middle pulley and .50 inch diameter steel rod that I am turning. Also the longitudinal feed is being run on the slowest (largest driven gear smallest drive gear) speed possible. (12211)
Is there a possibility that your .5" rod is flexing? Not sure how long the work piece is but this may be a problem. (12216)
Have you checked your carriage? It is flopping around any? Sumpin' is loose unless you have a most weirdly ground bit. I don't know much about turning steel (I usually work in brass and aluminum) try lowering the cutting point of the bit very slightly below the center of the work. Frank (12217)
This is obviously a medical problem. (12221)
I do not understand the comment about it being a "medical problem" Can you elaborate? Frank (12226)
Frank, I believe the comment was directed towards the previous comment which stated: "Is there a possibility that your .5" rod is flexing? Not sure how long the work piece is but this may be a problem." I believe that the length and flexibility of a mans workpiece should be a private matter ;-) ...And now for something completely different. It sounds like the tool profile is a little off or the tool is sitting a bit high. I use a lot of scrap rod (mostly cold rolled) and it is very difficult to keep from gouging. A round nosed tool with little or no rake seems to leave the best finish. As to the previous silliness, I use a tailstock center as much as possible to prevent any flex in the work. Cold rolled steel is a real pain to work with, but the price is usually right. Jeff (12227)
Allen, denatured alcohol gives me an enormous headache, but have found kerosene to give me good results cutting aluminum. Johnny (12238)
I was turning a .5 inch diameter steel rod that was about 5 inches long. One end was in a 3 jaw chuck with the other by a "dead center" in the tail stock. The tool might have been at the wrong height, but it was aligned by eye with the "dead center" which had been aligned with a center in the head stock. One of the tools I was using was a brand new indexable carbide with a 7 degree clearance angle. Another was the "diamond tool", which gave better results. Which case would cause the tool bit to "dig in" more. The tool above center or below? (12250)
Basically neither is good. I would say tool below center line is the lesser of two evils. The tool above would cause more problems of the tool digging in. The aligning with the dead center should be correct tool height. Smaller diameter work pieces are more critical of tool height, but 1/2 diameter isn't too finicky. I don't know if it was mentioned before, but check tool over hang. I think you are using a rocker type tool holder. Keep the length of the holder as short as possible. i.e. closer as possible from the cutting tip to the tool post. The rocker post is a bit more flexible or less rigid than other toolholders, still it is a good idea to keep this in mind with other setups. With a rocker type, you are rotating the rocker up or down to achieve center height. This affects the tool clearance angles. If to great, you need to shim up the tool holder to keep the tool angle/geometry correct. As too 1/2 stock, what type of steel is being cut? Check the spindle play or clearance in the headstock. It is adjustable. Check this in the tailstock. I don't know if you are turning between centers or with a chuck and center. Not any real difference though. Are you using a diamond tipped (CBN) insert or some brand called 'Diamond'? Another thing to look at is the tool nose radius and depth of cut. Different materials are better or worst for finish. You depth of cut should be over twice the tool nose radius. This keep even load on the tool. Just some thoughts. Hard to give good advice without seeing what's going on. Tom(12251)
John, I have sometimes had the work piece try to "climb" the tool when it is mounted below center line. In effect the tool pulls the workpiece into itself. This is more pronounced when there is a lot of overhang as in a rocker style toolpost. The angle of the tool to the work should be set up so that the forces tend to push the tool away from the work, rather than pulling it in. I think there is a discussion of this in How To Run a Lathe. Glen (12252)
Unless you take very small cuts, the stock may indeed flex and you might try a follower rest. First try taking a cut of maybe .005 and using a good sulfated cutting oil and see what happens. also make certain you have lubed the dead center. Frank (12253)
Turning Large Diameter Stock
Remember the picture that was on this groups main page? You know, the smoke stack one that everyone commented on? How was the piece supported at the tail stock end? I am about to start a project where I have to turn a large diameter (6 inch dia.) and would very much like to knurl the piece after I turn it. My problem is, how do I support the 2-3 foot long piece at the tail stock end? I know I can grip it on my 4 jaw chuck at the head stock end. Philip (12456)
Philip, a large pipe center, witch is expensive, or weld a piece of 2x3/8 flat across the end inside, true it up with a steady rest and center drill it. Then you can use your tail stock and center. Cut the peace out when you are done. Duane (12457)
Philip, Use a cat head in the TS end. Other end on external jaw steps. PS, that was not a smoke stack. RichD (12458)
Rich, what is a CAT head? Philip (12459)
Duane, That is such a great idea, I'm sorry I didn't think of it before! Philip (12461)
Philip, I just signed on to this group today. Glad I could help. Duane (12462)
I knew you would throw the "cat" out with that one :-)) Picture a hub (chunk of steel cylinder with a drilled center in one end) which has 3 or 4 drilled and tapped holes equally around the diameter. In these holes are screwed in lengths of allthread or bolts with locknuts. This can be called a spider, but sort of looks like a starfish. The idea is to insert this carrier device into the tube and adjust the screws outward to contact the tube wall and center the hubs drilled center hole for minimum runout on the tube OD. At some point you will have mounted the whole assembly on the lathe and a rotating center in the tailstock and test/adjust for runout. It helps if the bolt heads have been pointed to prevent wandering as you turn them and get a better grip on the tube. Some jobs require one cathead at each end with a center in the headstock and driver plate/dog. Kind of fiddlely to set up, but gets a tough job done. Turning miniature locomotive boiler ends to match up with smokebox joints use this method. Smokeboxes are usually short enough to stay put with just the chuck jaws. Seen in the last group pic. RichD(12466)
Surface Finish
I've been machining an arbor on my 9" model B out of prehard 4041, this is for my Burke #4 mill. Using a negative raked tool, with indexable carbide insert, I attained a surface finish that looked beautifully polished. Unfortunately, this was not the final cut. Thereafter, the finish was not nearly as good. In fact it was smooth but dull, and needed polishing to give it that proud product appearance. This is the usual finish for me. I tried to duplicate this seldom obtained wonderful finish with my Aloris tool holders, various inserts, high speed steel, and by varying speeds, feeds, tightness of the work piece between centers, etc, all to no avail. I have yet to figure out how to get consistently superior results. BTW, I use no coolant of any sort and prefer to cut dry. So to those for whom a superior surface is commonplace, would you be so kind as to share your magic, tips, and skills. Al (12506)
Al: One thing I find with Carbide tooling is that surface finish is better with heavier cuts. Carbide does not like small finishing cuts ( .005 to .010 on diameter ) but performs better with heavier cuts. Alas are small machines cannot sometimes take the heavier cuts with Carbide and sometimes are inexperience does not allow us to take a .050 cut for finishing and still keep size tolerances. Ron (12507)
Al, I have found that a freshly sharpened bit that has also been run across a sharpening stone always gives me a nice shine. Therefore, I rough cut with one bit, and fine cut with another one. Philip (12512)
When it comes to the chromolly steels you need to either polish to get your finish or take a heavier cut as a finishing pass. And as stated above the heavy finish pass may not be possible with your machine. Cutting dry is only for quicky jobs your tool will last longer and run cooler if you use a coolant or cutting oil. Kerry (12526)
Finishing
Thing is all we do on a lathe IS cut screws, or spirals. Just a matter of how to deal with their paths. Even cylindrical grinders do this. The question isn't what feed necessarily, so much as finishing AND accuracy. Most tools for finishing are of a broad-nose variety. Flat tools can chatter on machines that are either small or loose. Notice I didn't say old. A follower-rest may be needed for long thin work. For bench-top or tool-room lathes, a 3/8-full radius tool is all the tool you'll need. Unless you have a very tight machine, a flat 3/8 is not recommended. To much chatter, IMHO. If a lathe is in good trim, you can turn a finish on alum and have the chips resemble very fine cotton-wool. My finishing tool is the one described above. After rough grinding with the stage set at 5 degrees, I go to my expanding 8" belt-sander and finish it on 600 grit. Then change belts for a leather one and charge it with 50,000 diamond paste. This puts a mirror finish on anything. Even under a loupe it looks good. Keep this tool in its own box. That way it won't get chipped like all the other tools. A word on expanding belt-drum sanders. The word is indispensable. Built for the lapidary trade, the 8" expanding drum belt sander can do a lot of work in a shop. The sanding belts come in 20 and 100 grit intervals. They can be diamond or alum.-oxide. Changing one takes less time then reading this sentence. A can of water dripping through the guard and on to the wheel keeps even carbon steel cool. A 3/4" or 1"arbor is standard. This allows you to change-off for a diamond saw blade. Now your cutting carbide into shapes. You can sand stone, wood, or metal. The grinders that promise to sharpen any tool are dedicated to do just that. They cannot sand wood or polish metal; let alone cut carbide. Build an arbor To handle this belt sander and diamond saw. The cost should be less and you'll do more with it. Go to tile stone floor stores and see if they have any old diamond blades about to be thrown out. If they do, you can try out a diamond saw on HSS or carbide. In water, a diamond saw runs cool, almost no sparking. Imagine the file-steel you can shape without losing the temper? Now back to finishing. For super-finishing *,I'd use a wet silicon carbide 600 grit with an old file to back it up. Keep it wet. At these grits, you won't take off but a few tenths, but do check your progress. It is a good way to get a grind tolerance with a jewelers finish. A piece of leather charged with rouge will be as far as you can go practically. For bores, I'd make up a set of hones out of copper tubing. A t-split near the end will give you some spring against the bore. Use 600 grit in light mineral oil to hone with. regards, Ron *super-finishing is discussed in a book written by the chief engineer for the SR-71 project. I'll discuss this in more detail when there is time. Ron (16836)
I forgot to mention little things like rigidity. Anything you do on the lathe requires a no-flex set-up. Keeping the tool close to the holder is important. However removing all flexing is near impossible. Knowing how to use it can be a help. Like the 'spring cut'. If your cutting a shaft with the tool nice and sharp, and close to mamma tool post, you still have spring. Just re-cut without moving the crossfeed dial over the same stock. You will see how the tool and work-piece 'relax' against each other. As for CRS, there is a way around a bad finish. Because it is so troublesome to finish...don't. Use a coarse feed to put thread-like tooling marks on the work. It'll make the part look like it was turned in some huge circa 1900's lathe. A regular tooled finish actually draws the eye along its length. If you were to cold blue, (as in perma blue) the finish, it will look even better. Ron (16879)
Thanks to everyone for their comments on finishing tool geometry, rigidity, and the effect of steel type. It may be of interest that the link in FAQ that is listed first only refers to grinding a very specialized tool for deep boring, unless I missed a more general section. http://groups.yahoo.com/groups/mwhints  Will use the sugs made and check the other two sites plus HTRAL. Thanks, Steve (16890)
Finish problem
I thought I had fixed my finishing problem, not. It seems my lathe has developed a spiral finish on any turning I do. From one end to the other, all my turning work has developed this spiral or 'barber-pole' finish. Is it a vibration somewhere? Any takers on this one? Ron (18341)
Ron- are you using powerfeed? try 'helping' the handwheel. i found that sometimes the clutches aren't grabbing right. if I put a little preload on the wheel it goes away (I am putting off tearing into the carriage). else: worm gear, swarf ? dennis (18342)
Ron, Far be it from me to offer you advice, but I too had this spiral/harmonic finish problem on cuts anything over half bed length.. umm, 3ft usable bed. I found my problem was bed twist and a very small (downward) offset of the tailstock. A mate also advises me that being just a touch too low with tool height can cause the same symptom (similar to, but not, chatter). A fairly simple (though a tad dangerous) way to tell if its vibration is to grease up your palm and every inch or so of cut along to bed, give a gentle push on the work and observe the finish. push/pull/up/down. Garry D (18347)
Even if they are both within tolerances, their relative values may set up a resonance in that spindle. By simply changing one of the settings (within tolerance) you may eliminate the problem. RC (18367)
Turning, Boring... Titanium
Has anyone here spun titanium? If so, what speed would you suggest? What tool bit did you use? And what did you do to polish it up with? I just bought 2 5/16 bits with 10% cobalt and it seems to cut great. The piece I'm turning is only 1/2 in dia. and WOW did it heat up FAST! What lube should I use? Philip (18369)
I have turned and drilled titanium on my model A. The only luck I had was using carbide tooling. I was either using WD40 of SAE 20 as a cutting oil, I am sure there is better stuff out there. Gary (18374)
Gary, Just a dab of oil made the titanium just peel away from the stock. There was nothing to it. What a beautiful metal to work with! Philip (18388)
I've turned a fair amount of 6AL4V titanium on my 10" S.B. I've had very good luck with cobalt tools, sharpened with a round nose, with side, front, and top clearances of 10 degrees. That might seem contrary to common sense, but the 6AL4V Ti I work with likes a sharp tool with lots of clearance. I turn it dry with a very slow spindle speed (middle pulley w/backgear-about 92 rpm) for a 2" diameter workpiece. In my case these are interrupted cuts, the work is bolted to a fixture. I can take .050" cuts with about .002" feed per revolution on the South Bend, and the tool will cut well for over an hour. Be sure not to let fine chips gather in a pile. If you've ever seen titanium burn you'll know why. I've never had problems on the lathe, but I've had some dust go off when grinding Ti. (18392)
Dialing in to center
One of the best advice I ever got from the net was to use two (2) chuck wrenches. While you are centering you can move the work much more accurately by using one wrench on your side and one opposite side to move the work to the center. John
(18619)
John, I see we have the same equipment, well the rusty file anyway. Your suggestion gave me an idea. If I was to take some keyway stock that fit into the chuck key hole I could make up a couple of small "knobs" if you will, and then use your idea to center stock. It should be easy to do and would be a lot easier for me anyway. Tom (18623)
Hmm, and if a guy recessed a suitable hole in the square drive bit, he could mount a small round "super magnet" in there, and then the "adjusters" wouldn't fall out when he _manually_ spun the chuck around ... (rather the opposite of my "safety" chuck key). Alan (18646)
That is an even better idea Alan g little super magnets in my shop right now. It would be interesting if they were left in though wouldn't it. Tom (18677)
Turning radii
On a manual lathe like my 9" Model C, what're the good ways to turn radii, both inside and outside? I was recently making a part that had both inside and outside radii. I use carbide tool bits/holders (mostly because its easy... No tool grinding). I tried doing the radius by running both x y handles by hand, trying to move the x handle faster at the beginning in comparison to the y handle, then ending moving the y handle faster than the x handle. I.e. I was trying to be a CNC controller. The results are squarely in the range of "probably good enough for something that doesn't matter". I.e. the metal isn't there and there's sorta kinda a radius. So what's the "right" way to do it? Thinking about it, I figure a better approach to getting a good looking radius might be to grind an HSS blank into the shape of the radius I want, then feed that into the workpiece. The downside is that I don't know anything at all about grinding toolpieces. Obviously though, I can learn. But I figured there might be better/other ways. Any advice? Mark (one thing doing some of my own machining has done is make me appreciate the cost of racecar parts... :-) I spent probably four hours yesterday making one and a half 1" spacers for a spring collar. If I were going to try and sell them, I'd need to charge like $200 ea to break even. (18775)
Mark, Have a look at this ball turner.: http://bedair.org/Ball/ball.html It will be self evident how it works if you think about it g something like it to make proper curves. Tom (18776)
There are a few good articles on spherical turning and the tools to do it with at the group mlathemods3. JWE(18785)
You can grind a tool (But form tools are more subject to chatter, depends on the size of the radius) or you can plot or calculate several places along the final tool path. (a large scale sketch of the shape you want on squared paper is the non-math majors way to do that) and take it in bites, then file for a finish (watch using a file on a lathe, catching the tip on a chuck jaw and driving the tang into your tender parts can ruin your day). John (18798)
John, You can do both of what you mentioned. The form tool is good for small radii, with a good set up and a heavy lathe up to 1/2 inch radius, give or take. The steps, cut and file is OK too for larger radii. They do make a swing arm apparatus for cutting radii, both internal and external. The same tool can do both, just set up a bit different. I have used them and they work good. Still, they need operator touch and small cuts, but can make accurate (or nearly) radii. I think they sell them for the Taig or Sherline for a decent price. Tom (18800)
Steel
I work mostly with brass and aluminum, but occasionally need to make a steel part. What kinds of steel do you use for easy (?) turning with HSS bits and where do you get it in small quantities. I got some round shaft at my scrapyard and it's really tough. Or maybe I just don't know what I'm doing. Frank (18813)
I won't comment on the second part of that, but most likely, the material is 1018 or something worse. There are dozens of grades of steel (probably hundreds) and they range from "damn near impossible to cut" to "cuts like butter with a hot knife". Probably the most common free cutting steel is 12L14. Much closer to the second definition. It is now available from many sources, in many sizes and lengths, including McMaster-Carr. McMaster carries it in diameters from 1/4" to 4", and lengths from 1 foot to 6 feet. Now the caveats, before someone jumps on me. It does not harden directly, but CAN be case hardened. If you are having a service company do so, just let them know what material it is. It CAN be a bit tricky to weld. Not something I do, but we have had parts welded successfully. And yes, it contains a small amount of lead (hence the "L" in the designation). Probably not a good idea to eat it, as it may cause learning disabilities. I've used it for years. Knock off the comments from the peanut gallery. There are other steel grades that are specially alloyed for specific qualities. There is a great resource available at: http://www.matweb.com In particular, compare the "Machinability" of 12L14 and 1018 or 1010. 12L14: 160% 1018: 70% 1010: 55% IOW, 12L14 is 2.3 times as easy to machine as 1018, and almost 3 times as easy as 1010.  Scott Logan (18815)
Scott - you've answered all my questions. And in one e-mail! Frank (18817)
Frank, I went nuts for about a month trying to cut "hard steel" when I first started about two years ago. Since then I try to use 12L14 all I can. I purchase my stock from the Metal Express outlet in Baltimore. I ALWAYS stop by when I'm in the area of the place and browse thru the 'mistake and shorts rack.' One of the last true bargains left. You'll have to do a search (Google?) to find their webpage. You may have a supplier close and not be aware of it. Try to go in person to take advantage of any deals. Larry (18826)
Larry. I live in the middle of Vermont and there are no metal dealers here! Hardly an industrial state. However, there's a place in Woburn Mass (I think it is Admiral Metals) that has a large room full of drops and I sometimes get near there. They will also ship small pieces if they have them. Frank (18829)
How do I radius corners?
I may be having a really thick day! I now if I chuck work I can rad the corners to the same diameter as the work but how can I achieve a e.g.: 3/4" rad on all four corners of a 2" ? 4" ? 1/4" plate I have a SB 9" and no milling machine (18877)
For a corner radius on the edges: mount a 3/4 radius cutter in the headstock, clamp the workpiece at correct height to the x-slide, position the saddle and lock it against lengthwise travel run the piece across the cutter using the x-slide advance. voila - radiused corners ( along the edges) w/no "milling" machine. for a radius around the corners w/ center of the radius on one face of the part mount a 1/2' or larger center cutting end mill in the headstock, clamp the workpiece at correct height to the compound with the center of the radius at the center of rotation of the compound, position the saddle and lock it against lengthwise travel loosen the compound clamp very slightly so that it will just barely move under hand pressure. you may need to attach a lever/handle to the part to keep the rotation smooth but maintain clamp firmness. this rotational clamp is not made to serve in motion this way but can do so against mild machining forces in a pinch. somewhat tricky to adjust but if your clamp lubrication is good and surfaces are fairly smooth it can be done. run the piece across the cutter by rotating the compound around its center. this is where the long handle comes in handy for smooth rotation of the compound against the clamp pressure. voila - radiused corners w/no "milling" machine. "ajegan001" (18880)
Milling on a lathe isn't the easiest thing to do. I have used an angle plate bolted to the cross slide with shims under the part and the part clamped to the angle plate. Its a cheap way to mill but not something I would do on a regular basis. JP (18882)
Brilliant idea regarding the use of the compound. It had crossed my mind but I thought it may have been a No No in engineering terms. Tony (18897)
Can someone please please explain the relationship of the X Y Z axis to the lathe for me one more time g milling machine as well. I hate to sound so dumb but I can't stand it any longer. I read these wonderful ways to do some operation and get lost trying to figure out which way is up g cutting endmill as referred to in the post below? Tom (18900)
You may want to hold off until you try it before you comment on how smart it is... if the part is small and you don't have a mill holder with enough stickout from the headstock you may get into interference with travel of the saddle, wont go close enough to the headstock. there are a whole batch of possible problems with doing things like this on the lathe. we would normally try to make sure the machining forces on the compound are always in the down direction where possible but they may be made more controllable with the long handle. just a few more ways to separate the feline from its integument but it can exercise your ingenuity a good bit to overcome the little bumps. "ajegan001" (18902)
First of all, I believe the "x-slide" referenced in the earlier post meant "cross slide", not "X Axis". Having said that, it is helpful if everyone used the proper terminology in referring to the various axes. "Z" Axis always refers to the axis of the spindle. On a vertical mill, that would be the vertical axis. On a Lathe, it's the axis along the spindle to the tailstock. If the machine has only one other work axis (such as a standard lathe), it is referred to as the "X" Axis. If the machine has a total of three axes, such as a Bridgeport or similar mill, the longer of the two "non-spindle" axes is the "X" Axis, and the final is the "Y" Axis. There are three other commonly used axes, but not common on manual machines. "U" Axis refers to rotation around the "X" Axis, such as a horizontal indexer on a vertical mill. "V" Axis refers to rotation around the "Y" Axis. "W" Axis refers to rotation around the "Z" Axis. Scott Logan (18903)
Tom, For CNC machine controllers: on a lathe - X = cross feed (cross slide) Z = long axis feed-lathe bed (carriage) Y - not used or aux axis on a V mill- X = long axis feed, table (left/right) Y = short axis feed, table (in/out) Z = vertical feed, spindle, cutting tool holder. Rich (18905)
Rich I had it all mixed up like I thought. Tom (18907)
Heavy 10 vibration
When I am using the collets set up the lathe will cut perfect and no vibration. Now when I switch it over to the chuck the hole cabinet and lathe will vibrate so bad it chatters the work. I have cleaned the threads on the chuck with no success. I have yet to bolt the cabinet to the floor I wanted to ask if this was necessary? when I first bought the lathe I did not have this problem but I moved the lathe since. It is level but I used steel plates to do the job as my floor was not level. Tom C. (19259)
Interesting challenge. I'd look at the mounting bolts that attach the chuck to the faceplate. Have you examined the status of your head stock bearings? I have a heavy 10 and have not experienced this difficulty. I definitely would not run the lathe until you fix the problem. Is the thrust bearing on the left end of the head stock spindle snug? Lubrication OK? I know the above ideas are not rocket science but it is all I can think of at the moment. I am in Burke, VA. If you are near by I'd be glad to drop over and have a look. Eric (19260)
Sounds to me that your chuck is either out of balance or out of round for what ever reason. Have you replaced or removed the jaws in the chuck for some reason? You say that the lathe has been moved, nobody dropped the chuck did they? For your lathe to work flawlessly with the collets not with the chuck, it seems to me the problem should be in the chuck. Good luck and let me know what you find. Chris (19261)
Easy enough to check if the chuck is at fault - put another one on (borrow if need be). Unlikely that the vibration is cabinet - esp if you've leveled and shimmed. The lather should not vibrate and it is a sign of unbalance somewhere - systematically track it down - sumpin's gotten loose. Frank (19262)
Sounds to me like you jaws are not in correct order. Look on the end of the jaw for the number, then check the face of the chuck to make sure the number matches. If you get #2 and #3 jaws interchanged it would do exactly what you are describing. Paul (19263)
Thank you for the quick responses. I will try all your ideas and thank you again. Tom. (19264)
May be your problem lies on tool angle. Try with front angle about 6§ Capipio (19266)
If it is not the chuck out of balance then try to isolate the problem. The steel plates should be flat and have no air spaces so they don't act like springs. The floor should be rigid, a wooden floor can be a problem. Remove the plates and see if it still vibrates. Also look carefully to see if there are any cracks in the cabinet legs. JP (19282)
I was thinking about it and if isn't the chuck, check the back of the spindle to see if there is a lot of slop. I've never seen it but it could cause a vibration with the chuck but not the collet. Paul (19283)
Remove the jaws from the check and run the chuck and test for vibration. (19284)
Tom, Does the lathe vibrate when the chuck is turning but you are not cutting? or does the vibration begin when you start cutting? I have a friend that had a similar experience and found the chuck was cracked around the ways that the jaws slide on. The vibration only started after he began cutting. Mike (19285)
Thank you for all the responses. This is what I found. When I tighten down the cap screws closet to the chuck it will chatter and vibrate, But when I loosen them no chatter at all. When I try to lift on the chuck when it is stopped It will lift up a little. So I messed with expander screws the same thing happened if I would tighten them down and chatter would happen loosen them and it would go away. I know it is not rocket science but I am lost when it comes to these expander plugs and screws. I did check out the chuck No cracks but when I did separate the back plate from the chuck there was some sort of putty looking stuff. I scraped it out and cleaned every thing up nice. I think the problem is somewhere in the spindle. Tom C (19308)
Tom, Sounds like you need to adjust the headstock bearings first. The expander screws and cap bolts need to be tight. Then do a pull test. First loosen the tension on the flat belt, then place an indicator as close to the bearing as reasonable on the spindle outside of the headstock. Place a pipe into the spindle and at a 1 foot distance press down with about 75 lbs of pressure and note the indicator reading, then pull up with 75 lbs of force and note the reading again. The reading should be less than .002" between the two measurements. Do the same on the rear bearing. This procedure and the procedure to adjust the bearings is in the parts manual CE3458. It may be in the files section here also, I am not sure. JP (19312)
Large dia. turning on a 9"
You can turn the outside dia of any disk that will clear the carriage. Mount a tool on the dovetail that is normally used for boring, of an Aloris of Phase II QD Tool Post. Turn the post 180 Deg. so it is on your side of the post. Tighten the QD tool holder and unscrew the tightening handle (so the handle does not run into the chuck) Note: make sure to tighten the tool bit good because the forces are pushing the bit out of the holder and not into the holder as normally. Gary (19483)
Gary That's a good test of the quality of your QC Toolpost. Actually you can use the same style of trick to turn the OD of anything that will clear the bed. Personally I wouldn't dream of trying this sort of thing with a tool in a QC holder, not even a first quality Dickinson, let alone the the imports that are all us normal HSM types can afford. This type of job tends to be a quick route to chatter city and, on a small lathe you need all the help you can get. With even the best QC posts the extra slides and restricted clamping areas work against you. The biggest boring bar you've got in a heavy block or 4 way post is a more reliable approach but what you really need is a Gibraltar post, basically a hefty block which fits in the hole normally used to carry the top slide. Loosing the top slide cuts out several fixed and sliding joints so everything is more rigid and provides plenty of room for a really hefty tool. I've got a 1 1/4 inch boring bar waiting for met to get round to turning a lump of 5" square steel into a Gibraltar for my Heavy 10. That baby is gonna be solid and will have plenty of mass which always helps tame any tendency to chatter. Probably only get used every other year but when I need it nothing else will do. I've never understood the the enthusiasm for QC posts unless you can afford enough carriers for a comprehensive selection of ready to use tooling. Block or 4 way posts are easy enough to make and, with the SouthBend T-nut fitting, pretty much as quick to swap if you make a full unit complete with nut, stud and handle. Tool height setting is easier too if you make up an off lathe gauge. I tend to run off a brace or three when I fancy an easy job. 8 so far, all 4 ways, with another 4 specials to go. Clive (19498)
I agree, Gary, I've used this trick with my Phase II toolpost to turn chuck backing plates for my 8" Junior. I had to keep the cuts light to avoid slipping the drive belt, but the setup was rigid enough to whittle down cast iron or mild steel. My next project will be a 7" backing plate. (19548)
Spinning aluminum
I was wondering which type of aluminum I should turn. I just want to see how differently my bits will react and see if I can learn something from it. This is just for fun, but I was wondering if some one could suggest a type to learn on. I have access to 6061, but I'm sure someone has a suggestion. Philip (20968)
Philip, 6061 is the best choice. Actually, round extruded stock typically will be the only or most found material at metal sellers. I work at a Tech College where the materials provided for the students is 6061 and 12L14 steel. My scrap box is slap full of their boo-boos. RichD (20969)
Philip, I just noticed the subject line again. Do you want to do spinning or turning? For spinning 1100 or 3003 al sheet. For turning 6061 bar stock. RichD (20970)
Rich, I will be turning, sorry, my mistake. Philip (20971)
Howdy, 6061 has been fine when I've used it, but I think 2024 and 7075 machine a bit better overall. I think any of those three will do what you want. I _wouldn't_ use the AL you can get at Lowes or whatever... 3003 maybe? Whatever it is, its very, very soft and the finishes I've gotten have stunk. Mark (20973)
Rich Is there a source where one can buy 12L14 steel in smallish amounts? Bar as well as plate. I'm on the east coast and the specialists who sell small amounts of metal all seem to be west coasters and the freight charges are killers. Frank (20978)
Frank, we buy a lot of stuff from Metal Supermarket. There's a store near here. They don't have everything and I'll bet it depends on which store you call. I like digging in their dumpster! They seem high, but the alternative means buying full bars or sheets and truck shipping expenses. See for a store location: http://www.metalsupermarkets.com/ RichD (20979)
Turning a concave radius
How would you turn a concave radius on a lathe? I know on a wood lathe you just grind your tool to the shape you want. What I want to make are a series of dies for a compact bender to bend tube. The concave radius will support tube sizes from .5" to 2.5". (21035)
Andrew, the top slide (compound) swivels. Set the tool tip in relation to the slide center and set the locking screws to allow rotation without looseness. The only gotcha will be the slide hitting the chuck jaws. Most radius turners require lots of stock overhang anyway. RichD (21043)
You can cut aluminum with a tool ground to shape. I made a 1.75 inch die this way. But, I think a radius cutter would be better but have not tried it because dies for tubing 1.5 inch and larger need to be 12 to 14 inches in diameter which means you need to have a large lathe. Check www.pro-tools.com for the radius of their dies. Andrew Booker wrote: How would you turn a concave radius on a lathe? I know on a wood lathe you just grind your tool to the shape you want. What I want to make are a series of dies for a compact bender to bend tube. The concave radius will support tube sizes from .5" to 2.5" (21058)
Turning a CONVEX radius
Turning a convex shape is something that comes up from time to time however I have really never read a good responce. So often I wish I had a method of cutting a convex shape. I have seen the picture someone has posted to this group, but I do not own a miller so there is no way I can make one on my own... If anyone knows of a method to make one or maybe finds one on Ebay, please keep me in mind. Philip (21064)
It depends on the size of the lathe. Usually about 3/8 to 1/2 diameter is about max on a mid size lathe. This also depends on material. That is using a form cutting tool. Softer material, then the bigger the radius you can cut. I have used the radius cutting tools. They work very well and are accurate. They do make them for the Sherline lathes. They might be a bit small for our SBs, but I think you could adapt them. Worth a look and I think they are about $60. For an ID, you could make a pivot with a tool bit at the end. If you make the length adjustable, then you could set up for varius radii. Tom(21077)
I have a 16 inch SBL, so I don't think I'm limited to such small radius. (21083)
 It depends on how large of a radius you need to turn. I don't actually have any experience with the Sherline one. I would think you would need to make a block of some sort to space it up. What you might try, and this is very Jerry rigging, is to use the compound rest. Set up a lantern type tool post, and offset the tip of the tool bit from the pivot point of the compound rest. Might be worth a try. Still it would depend on the radius you are cutting (large = better) and the profile of the part. With a 16 inch SB, I would say you might get up to 3/4 radius with a form tool, in mild steel. Kinda on your own as far as setup. I do a lot of setup on the fly, so its hard to give exact info on how I'd do it. Tom (21084)
Turning any radius greater than the size of the tool is doable on any lathe. Convex or concave. thing is even with a radius cutter, you have to remove bulk material before you finish with the radius. Think back to math class- equation of a circle is x^2+y^2=r^2. Ellipses same thing. Set up a simple spreadsheet to figure out the step increments to rough out the work. It should look like stair steps up and down. 50 thoug over (x), is a good increment to start with. Figure out the plunge (y) for a given radius. Then I would use a form tool or radius tool to clean it up. use a template to guide you. For the task at hand, the dies and even the follower block for the tubing bender, they don't have to be perfect. I would rough them out on the lathe (or better yet a mill) and the to make the finish use a full size form tool. on my bender, for onsie-twosei bends, I make up die blanks of laminated 3/4 plywood and use a router to make the whole thing, grooves and radius and all. I have used plastic as well for dies, makes for really easy working and they are very durable too. dennis (21086)
Machined finish expectations
A question was posed to the Southbend and 7x10 groups this morning as to what one can expect in a turned finish with carbide or ground cutting tools. The normal finish to be expected from cutting tools on a lathe or mill is called 120 and is to the eye and touch rather coarse and rough. The best one can expect from a lathe or mill in careful turning with very sharp tooling is a 63, good finish but not what the person posing the question wants. Now to get a finer finish than a 63 micro one needs to go to other methods than cutting tools and proceed to grinding and and/or lapping. Now grinding with lubrication and a hard fine wheel can get with care and light cuts down to an 8 micro finish, but still not the mirror finish the person posing the question wants. A mirror finish is called and shown on the micro finish comparator as a 2 micro finish and can only be obtained by turning on the lathe or mill to about .003 to .005 thousandths of an inch over the desired finish size. You would then grind with a coarse wheel or lap with say 180 wet/dry paper and oil to .001 oversize. The next steps would be straight lapping with first 220 grit, then 440 grit and finally 600 grit to .0002 oversize. The final step would be with polishing rouge or a good automotive car polish to desired finish size and desired mirror finish at 2 micro finish. Archiving a mirror finish and a dead on size slip fit part is doable but requires intensive work to produce extremely tight fits and high brightness finishes. Also these extreme high finishes are not very good for rotating shafts where lubrication of bushings or bearings is needed. High micro finished parts used in rotating or reciprocating will usually gall and fail rapidly because there are no low places to retain lubricants so wear is rapid and failure certain. JWE (21078)
Maximum depth of cut turning mild steel
I have a 1957 10K. While reducing the diameter of a 1" mild steel bar, I have been practicing with different tool shapes, angles, rates of feed, spindle speed, etc., in trying to determine the maximum attainable depth of cut. Cutters are tool steel, sharpened and honed. The deepest cut I have managed so far is .012 in. What is the deepest cut that I can expect to achieve? What is the deepest cut that you have achieved? How did you do it? (21646)
Warren, There are quite a few variables involved, rpm and longitudinal feed being only two, but one question I have is how long is the 1" dia bar and is it supported at the tailstock end? By the way, you should be able to take off considerably more than that ... at least .060" per pass. What is happening that is preventing you from going deeper? Part deflection, surface finish, tool breakdown, machine stalling ? Mario (21651)
Mario, on your 10K you should be able to go .250 on a ruff cut. Duane (21652)
Duane, I know that; I just didn't want to overwhelm Warren. As I said, there are lot's of variables involved, and I'd really like to understand just what kinds of problems he's running into so we can better help him out. Mario (21653)
Warren, I have not done much turning on my 10K but when I bore CR steel I can easily take .200 inch on a pass for a hole increase of .400. I use the lowest pulley speed and the lowest feed. I do this boring daily for the parts i sell on eBay. I use HSS bits that I sharpen. Bob (21660)
I'm tinkering on my 1967 Heavy 10 and bent a 5/16 carbide cutter 20 degrees taking a 3/16 cut into a 1" mild steel rod @ 55 RPM. The feed was somewhat too fast, I cant remember exactly, but it was moving at about can opener speed. The steel was peeling off like orange rind. I managed about 1" of cut when the bit failed. Later my machinist friend told me that is very hard on the lathe and the tooling. It makes me think, lathes are capable of great capacity, but is it prudent to run at max? What are you going to save other than 4 minutes !! And what could you lose? If cost of tooling is no object then go for it. If lathe parts can be found cheaply and repaired easily, go for it. My machinist says he roughs at .010 and finishes at .005 on both feed and depth of cut at top running speed 1450. When I watch a finish turn off at these rates I can see the wisdom behind the process. It only takes a little more time and repetition to achieve a desired diameter reduction, with the least wear on lathe and tooling. And the finish is generally ready for final dressing by filing and emery. (21667)
The bar is 8" long, tailstock supported. The belt slips and the bar comes to a stop. I am using the slowest spindle speed without using the back gears. I haven't measured the speed, but it appears to be about 200 RPM. The belt is flat, and appears to be made out of a canvas type material. The belt and pulleys are oily (are they supposed to be?). I tighten the belt to deflect 1" with a firm thumb like the book says. Warren (21668)
Sounds like you need to replace your belt. Also, the slowest speed isn't always the best. Speed or RPM is dependent on diameter of part and the material. Softer part faster speed. Smaller diameter faster speed (RPM). There is a formula for this. The material surface speeds are given by a table. I forget the formula off hand. I think mild steel runs about 80-100, while aluminum is about 200. So you'd run aluminum twice as fast as mild (1018 etc.) steel. Depth of cut really depends on the HP of the machine. .050 should be on problem for a 10K. 0.100 it should handle also. Some mentioned .2-.25, I can believe that, if a good setup. .010 in another post sounds very slow and a waste of time. Still, its very dependent on your lathe and the part to be cut. There is a reason for different size of lathes. Large parts need large lathes. Small parts are best run on small lathes. Now I am sure someone will rip me and say 'Yeah I run small parts on large lathes or vice versa. I can too, but it a lot easier and faster to use the proper size lathe if available. Now for finishing depth of cut. The feed should be less than the tool nose radius. The depth of cut should be at least twice the tool nose radius (TNR). The feed so the TNR doesn't skip over material, ie thread. The depth of cut, so the TNR is stabilized in the cut. If it is only cutting on the radius, then the tool bounces. So, fix the drive belt system, calculate speeds and feeds and go from there. If you need help, let me know the steel (mild 1018) and the diameter of part to be turned. 1/2, 1 inch etc. Tom (21669)
The belt and pulleys should NOT be oily at all. The belt should be leather or leather faced, not canvas. This is definitely one of your problems. You can look up cutting speeds in the machinery handbook or htral. It is listed in ft/min for different materials and tools and is a good starting point. JP (21670)
I have a synthetic belt on my C with a "canvas-like" inside face, that is excellent. Theoretically, leather is more likely to stretch than some of the synthetic types. Leather is of far poorer quality than it was when most of these lathes were designed for leather belts. Also, leather for belting was cured in a different way, and cut from the hide in a particular position (against the backbone) and in such a way that it was less prone to stretching. Animals go to slaughter far younger nowadays, with the resultant hides being far more "baby skinned" than they used to be. Apart from a "faithful" restoration, I'd plump for a good synthetic every time. Len Smith, many years as a harness maker Maximum depth of cut when turning mild steel The belt and pulleys should NOT be oily at all. The belt should be leather or leather faced, not canvas. This is definitely one of your problems. You can look up cutting speeds in the machinery handbook or htral. It is listed in ft/min for different materials and tools and is a good starting point. JP (21671)
Warren, You may have found your problem. The belt should not be oily. The first thing I would do is clean the belt and pulleys with a solvent to remove any oil or grease, and try it again. I suspect it will be a lot better, but if it still slips, you might try spraying a littler belt dressing on the pulleys and belt. It wouldn't hurt to clean up the pulley faces with some light abrasive paper no courser that 220 grit! Let us know how you make out. Mario (21672)
Len, That's a very interesting point you make about "younger" leather...very interesting. I also have one of the synthetic belts (rough inner fabric, shiny black outer surface) on my 10K. I have also used a modern automotive "serpentine" or micro-groove belts as a replacement and they work fine. I wondered which side to use against the pulley. The grooved surface, which is softer, and designed to be the 'drive' surface, or the back side, which has more surface area. Actually, it seems to work just as well either way...of course I don't usually rough-off .250" a pass!?!? Mario (21673)
Wow, one-hundred thousandths (an inward movement of .050" on the compound) in a single pass on a SB 10". Seems like a lot and would put considerable stress on the entire system. What's the rush. Eric (21674)
When the alligator link broke on my belt, for a couple of weeks I used what had been an 2'.6" diameter, round section, O ring from around the door area of a washing machine. It was about a half inch thick. It pulled it into place with some stretch in it, and superglued the joint. It worked fine, and I cut it off and kept in case of a similar emergency. Len (21675)
I have taken 0.050 with hand feed speed set by feel. But you had better be sure your have everything well secured at that depth. I use 0.020 or 0.030 most of the time with a power horz feed set to give the finish I want. Had 1 inch dia in 3 jar parting with 1/8 wide parting tool. Tool Caught and pulled the part out of chuck and bent the parting tool. Not something I want to repeat on my 10K.. nothing else hurt .I had about 3/16 grip on the end of the 1 inch dia round, Would have liked to use my collet setup , but it only goes to 5/8 dia. Darrell (21681)
I'd say that your running WAY to slow. With HSS bits, you'd want to run at 300-400 RPMS (CS*4/D (90*4/1 gives you 360 RPMS)). The cutting speeds for carbide are two to three times faster than those for HSS. Whether the lathe can handle/will let you run at the RPM is often anther story. For example, my bench mill has a 1/3 hp motor on it, and it cannot run a 1/2" end mill in steel at 720 RPMS, because of the limited torque of the motor. The I would say your bit failed because you were running to slow. CNC programs use very fast roughing feed rates (in IPMs (inch per minute) rather than IPRs (Inch per revoltion) because they have steppers or servos on the leadscrew rather than a gear train from the spindle) Running to slow kills carbides faster than anything because the friction coefficient is greater with Carbide than sharp HSS bits. Carbide doesn't get the edge that HSS gets. Later my You run at the speed closest to the calculated (CS*4/d). On a 4" diameter workpiece (mild steel) you certainly would not want to turn it at 1450 RPMS. Turn that at the speed closest to 90 RPMs, when using HSS. All cutting operations, except shapers and planers, you use cs*4/d to calculate the RPMS, because if you ran your 1" HSS Silver and Deming drill bit at 3,000 RPMs, you would burn out a drill bit every hole you drilled. What are you going to save other Using the example above, you would not want re-sharpen your drill bit after you drilled a hole. At some point the time time spent reseting/resharpening your bits takes the fun out of machining. The RPM formula puts in the ballpark where you have to be, so that whenever you want to cut a part, you are balancing machining time, tool edge life and optimal cutting speed. Finishing cuts have faster cutting speeds than roughing ones. While the machinist you know is running over by a bit, he's found that it works. I don't strictly follow the formula, and I turn 1" CRS bar at 600 RPMS using HSS on my 9x20, and the lathe doesn't complain. When you get more experience, you'll know what works for you, and you won't even need the formula anymore. I judge cutting speed by seeing what color the chips are coming off, how the lathe is taking the usage, and overall how smoothly the chips are coming off, then I increase or decrease my speed from there, using the "calculated RPM" as the starting RPM, for workpiece diameters I don't handle often. Since I turn 1" and 1.5" often, I don't look at the RPM chart and just chose the belt position that I've found works best for those diameters. Gabe (21689)
This is where the Machinery's Handbook rears its head. Buy it and use it. The information contained is vast. Unless you are working with some exotic material that has been only widely available in recent years a 50 year old edition will work just as well as a new one. It will give you two optimal feed rates. One is for maximum production for given tool wear (which is what a commercial shop will use) and the other is for maximum tool life. Most of the members of this list will be using the latter. If you are operating your equipment at less than the optimal tool life rate you aren't saving anything unless your equipment is damaged. And with many metals less than optimal rates actually increase the force required! Gene (21694)
It is great to have people to talk to with real experience. Not everything is in the book. Based on what you all said yesterday, I got up early (before work) and cleaned off the belts and pulleys a bit to see what I could see. Upon clean-up, the belt appears to be either some kind of composite, or material backed leather (it looks pretty old). The belts and pulleys were very greasy and oily and will get a thorough cleaning at my next opportunity. Then I'll see if I can get a heaver cut than before. By the way, I'm not dismissing the machinists advice of .010 rough cuts at high speed. I like the idea of going easy on the tooling and lathe; and will probably adopt that procedure. Who wants to stop what they are working on to fix a lathe? Not me. Warren (21697)
The grooved side has MORE surface area to drive the driven surface. That's why they do this design. Not only does it provide MORE grip due to a "wedging" effect in the driven pulley grooves, if you were to "stretch out" the VVVVV surface you would see it is MUCH wider than the width of the actual belt. Look at this for a "simple" example... ______ VVVVVV. Peter (21698)
That doesn't seem too much to me. I have a 1949 vintage (Australian) Herbert Lathe (I guess it would be equivalent to a 7x24). When I want to remove a "substantial" amount of material e.g. 1" down to .5" (on mild steel) I would take around 1/16th" (0.0625) per pass to get close to the required size. Using a TCT lathe tool (without coolant!) at the top speed of approx 600-700 rpm, this is NOT a problem and does not stress the lathe. I soon know when the cut is too heavy when the belt slips :D There's no rush - but when a substantial quantity of material is to be removed, WHY would I want to make 6 passes at .010, or (as per above example) 24 passes instead of *4*! Sure, the lathe being used has to be able to withstand what you intend to do with it. Some lathes cannot sustain such cuts and that's ok. Peter (21700)
3/16 is pretty deep. How To Run A Lathe, Southbend 1942, pg. 36, says 5/32 "when the lathe spindle speed is correct and the cutting tools are properly ground and set." This is based on a feed of .005 inch per revolution. Cutting speed of 60 surface feet per minute which is about 200 r.p.m. for a 1 inch rod. Speeds and feeds and the formula are explained on page 50 of HTRAL for both roughing cuts and finishing cuts. (21704)
Peter, You're absolutely right. When mated with a grooved pulley. I was talking about using it on place of a leather belt on a flat pulley. Sorry if I didn't make myself clear. Mario (21707)
I've been wondering about that too. Your machine may handle 0.25 in a pass but why? Is this a new sporting event; extreme lathing? (21745)
Turning Titanium
Problems? Methods? Cutting tools? Threading? I've never messed with it before. Dave (21939)
Sharp carbide inserts, high speed. Titanium doesn't cut the same on each pass, sometimes less and sometimes more so approach the finish dimension slowly. Ceramic insert tools are common in a production environment. Its also expensive stuff to make mistakes with. Its strong like stainless and light like aluminum and has a high heat resistance. This metal IS FLAMMABLE so use caution and keep a class D extinguisher handy. At the very least a shovel and pile of clay to smother it while you shovel the burning chips outside to where it can burn out. JP (21940)
This does not involve machining operations, but may be worth mentioning: Back in the late 1960's I bought a set of Wiss right and left hand tin snips (the kind with the red and green handle covers) from a nearby industrial supply house. The salesman told me that the ones they stocked were specially hardened for cutting titanium. The blades are marked "S1" as I remember. He said they stocked them for a customer who got much longer life out of them than the regular snips, which were dulled after only a day's cutting. Steve (21956)
Steve, The piece of stock I have is 3/4 thick and about 5" square. Not sure snips would be of much use. From the answers I'm getting here, I think I'll just hang on to it as a conversation piece, or sell it on ebay. There is really nothing I know of that I want to make with it. Anybody want to buy it? dave (21974)
Do you know what kind of titanium it is? Grade 2 Ti cuts a lot like a softish aluminum. Grade 5 is a bit more difficult, and tends to "stick" to tools. Aggressive cutting is recommended to avoid dulling tools. Try using the grinder on it, the sparks are pretty cool :) (a waste of titanium but still fun). james (21977)
Turning barstock
Finally scraped up the incentive to try out the heavy 10 since I got it home and cleaned up. I got a handful of cutting tools in the deal but most are pretty chipped up. A couple look okay, so I chucked up a fairly short piece of round stock in the three jaw and faced it. The bit is centered pretty decently, as there was no nipple when done. Anyway, I decided to try a little turning to get some experience before cutting something important. Seems no matter whether I cut left or right, 1 thou or five, I can't seem to get a smooth finish. Not a finish cut, but just something relatively the same all the way across. There are grooves scattered all through the work. I am hand- feeding as I have not figured out how to feed slowly and not use the thread cutting gears. Do I just have some really crappy cutters or maybe the angle isn't right? Or maybe I am getting chips under the bit. Brian (22287)
Maybe all three. To get a smooth finish you need a HSS bit that is honed and polished and power feed. Don't let anyone bs you in stating that they can feed by hand smoother than the power feed. Step 1 would be to bolt the lathe to the floor and level it. Get the book How to Run a Lathe from Lindsay for $7. Instructions as well as most of the info you will ever need in running a lathe is in there. That will become your bible. Tool angles, relief, etc. Also look through the files section for info. Don't waste your time with the brazed carbide tipped bits they are less than useless. If you need to use carbide use the replaceable insert type. Get HSS 5% or 10% cobalt and sharpen a few up per the bible and stone the edges to polished finish. These should cover most all of the cutting you will ever need. On the 10L the power feed is not the half nuts used for threading. The half nut lever is on the right, the power feed direction lever is the middle one and the gizmo on the left is the power feed clutch. Some models use a lever and others use a hand screw. The small print on the QCGB plate is the cut per revolution with the power feed. JP (22289)
Brian, I am relatively new, but have found the South Bend "How to Run a Lathe" book indespensible for these types of quick questions. The tool bit grind diagrams in there are just what you need to get started. Lots of other information. Copies are available at several on line tool merchants. I have not figured out how to feed slowly and not use the BR. Mike (22290)
JP/Mike, First thing I bought was a copy of the Southbend book. That's what got me to thinking I had problems with the cutters. Being somewhat green I am still working out what all of the levers do. The book no matter how much info it contains does not say,"...to turn at X speed and feeding from right to left do this in this order:..... " I was also thinking I need to turn the piece at a relatively high speed but feed slowly. I am for sure headed for insert holders. So much harder to screw up with. The sharpening deal will have to wait until Santa brings me the grinding wheel? Brian (22292)
Carbide insert tools are expensive, nice for cutting stainless or titanium. HSS bits are $2 to $5 and you can get a bench grinder for $50. Drop a broad hint to Ms Clause. Anyhow the book does say turn at X speed, read it my friend, surface ft per minute for a specific material. Diameter of the stock and the rpm is calculated. If you are real lazy then just use the middle belt position for small mild steel. Remember the 'little numbers' I mentioned in the last post? Try a few around .001 to .01 and see the differences. JP (22294)
Brian Listen to JP. I started out with inserts and they certainly aren't fool proof. It's easy to get HSS sharper than carbide so it is easier to get a nice cut. Carbide doesn't work well for taking off 0.001" at a time as it seems to need more pressure to cut. You end up increasing the pressure and then all of a sudden it takes a big cut and you have to start all over. Carbide is also brittle and you will sometimes snap off the tip. This is especially so when doing interrupted cuts. Grinding HSS isn't that hard to do. I'm not sure the angles are as critical as some would say. As long as you have some rake and clearance it will work. Maybe not good enough for a production environment but it works for me. Your grinding will only get better with time. As long as you don't have much overhang you don't need 1/2" or even 3/8" HSS. I use a lot of 1/4" and even some 1/8" bits. Someday I'll get around to making tool that will use 1/8" as inserts. I just hate grinding away most of a 1/2" bit just to get a tool that only needs to be 1/16" wide. If you don't have a bench grinder, a dremel works fine for grinding the smaller bits. I've also seen some pictures of belt grinders being used to sharpen tools. I still have some carbide inserts and I do use them for hogging cuts but usually switch to HSS for finishing. I've only been doing this for a couple of years so it may be worth less than $0.02. John (22297)
For Speed/feed info, start with your machinist's handbook. It has all the info. If you need to buy one, try eBay. I got a 1959 for $11. it has all the info I need. It will walk you through the computation of feet per second and feed rates. Each material is unique. You may also try the local library for a basic machinist text book. If your local Junior College has a tech dept. try their book store. I can make suggestions. Ping me off list. ,"...to turn at X speed BR. Mike (22298)
I took a close look at the tool I was using this morning. It has an added brazed insert of some sort. It is ground about 60 degrees for either finish or threading. I got this lathe from an ex-motorcycle shop, so I'm assuming they were threading with it. I got the power feed engaged at 224 tpi, which is the slowest thread feed. The spindle is still turning at a pretty good clip. However, it now looks like I am threading at an extremely fine pitch. I thought one of you said that I could disengage the threading portion of the gearbox and just power feed at a slow rate. I mist have missed something. JP, you are right, the book does give you the speeds, etc., but I am still working out how to get the back gear in/out, etc., and you can see from the above that I forgot how to power feed a bud's 10K. It has been a few years. I agree about the tools. The bench grinder is on the list. I have a big dog belt sander, but that puppy hid under the bed when I dragged that brazed carbide insert across it! Ah. Just figured out that I have to pull out the sliding gear to drop the feed speed by multiples. Brian (22299)
Mike, I figured out that I was not pulling out the sliding gear, which was keeping my feed rate up pretty high. I do have the SB handbook and a parts list, but it would be nice for us greenies if there was somewhere that it said to make such and such a cut, pull out the sliding gear, set the gearbox at X, set the forward/reverse lever in the proper position, check the belt location, run your tool up to the work and set the center and distance, and turn on the lathe and start the feed. I know that is really anal, but for us guys that have not been doing this forever it would be helpful. I also realize that in no time, all of this will become old hat. A friend of mine suggested I take a machining class at the local community college, but I have made several phone calls and emails to the teacher in charge of the class so I could talk over the curriculum, but have never received a reply. Brian (22300)
The brazed tools are brittle pieces of junk. The carbide inserts are expensive but you can get different grades of carbide. Carbide requires higher speeds and more tool pressure and never really give a smooth finish, relatively speaking. Someone may blast me on this but... You can shape a HSS tool on your belt sander or the 4" angle grinder. Finish the surface by hand on an India stone and then for a polished finish an Arkansas stone. Polishing the tool by hand isn't required except for a finish cut. The roughness of your tool will transfer to the work. 5 degrees relief is a good starting point. Read the damn book, THINK a bit about what you read and try it out. Don't worry about making mistakes, that's part of the learning process. Just keep body parts out of the way, I assume circumcision in a SB lathe might hurt even with a sharp HSS bit. JP (22305)
JP, I scavenged several pieces of material just to practice with, steel rod, aluminum, brass and Teflon. Wanted to learn on scrap, not the real thing. Brian (22306)
Brian, Have you ever had Chinese soup? The noodle appears to be about 27000 feet long, I think they have a contest to see who can make the longest noodle in china. One single noodle for the entire pot of soup! When you turn a piece of steel or aluminum, set the speed and feed to make one continuous chip, a one piece steel wool pad. Don't use your fingers to move it use a piece of scrap or a paint stick. It can give you a nasty, dirty cut, metal shards and oil and dirt. (22309)
Brian Its not really a good idea to use scavenged material for ab-intio practice sessions. No telling what the stuff is. Most relatively modern manufactured things use fairly special materials or surface treatments. Usual problem is that a material optimized to machine well with heavy cuts and carbide tools at about a zillion rpm when submerged in coolant won't behave well at the sort of speeds and feeds we use. You will usually (some stuff is just impossible) be able to handle it when you have cracked the code but not right now. Some of the drawn to size or specially rolled stuff is disgusting to work with having horrid internal grain structure. Naturally Mr. Soads law says that the really nice bit of just the right size salvage is almost impossible stuff, just easy enough to convince you that you are getting somewhere but guaranteed to tax even the most expert in search of a good finish. Once you have figured out the basics invest in some good quality free cutting leaded steel and practice. Good material will let you get a decent finish relatively easily and allow you to play about with tool angles and sharpness to see what happens. Only difference with more difficult materials is that you have less tooling and operating tolerance to play with. Hang on to a good bit of practice steel to go back to on those occasions when you need a confidence boost and a reminder that you can get a good finish. (22320)
Sounds like you had bad experiences with brazed tools. I use them allot myself but you do have to invest in a set up to grind them and pay attention to C2 C5 depending on material to cut. Harbor Freight has a nice Baldor style offhand face grinder that I can highly recommend if you want to have the ability to properly sharpen and or touch up brazed and insert tooling. The Silicon Carbide wheels it comes with though are very hard and I found it best to replace them with softer wheels. Another thing to be aware of is never shock carbide with water, grind slow and allow to cool. I do place the steel shank in water with brazed tools while grinding taking care not to touch the carbide itself. From the sounds of it you are getting the cracks in the carbide from shocking it. http://www.harborfreight.com/cpi/ctaf/Displayitem.taf?itemnumber=46727 This grinder has been on sale frequently in the past, I caught mine for $99 though lately it seems to go on sale for around $120. Since the 6" face wheels are an industry standard you can mount an alum oxide wheel for HSS on one end as well. Various diamond and boron wheels are also available but can be very pricy. I agree with HSS being the best for finish especially when the work is thin or impossible to rigidly mount. Also when our RPM limits can't reach the SFPM carbide requires. You definitely want to stick with positive geometry tools with smaller equipment the negative rake tooling requires heavy duty equipment to use. You also would do well to check out the different HSS types and properties. M2 is easy to sharpen but M42 T15 hold an edge much better in abrasive and high heat situations. You know right away when you go to sharpen something other then M2 its allot tougher to grind. Mark (22322)
On-center tool use
I, as a novice, was shown how to put the point of your toolbit at center height of your work by capturing a steel rule between toolbit and work. I know this is a well known trick but how many experienced guys still use this method? How many of the novice use it? How often? Is this an accepted, accurate method for the general home shop project? Tim (23872)
Tim, I have been guessing for 25 years. The only time I get to critical is when I am facing a part I want flat. Most of my toolholders are designed to be on center with a certain bit and I can't change them much. Bob (23873)
Tim, I started with a Unimat in 1963. Now have multiple lathes, mills, and manufacture machined goods. If I don't use a fixed height gage to set/check the tool, I use the face to a pip method. Start out low, face cut to the center, then adjust the height until each cut shows the tiniest pip. That's best. If the cut wipes out the pip, too high. Of course, sharp tool edges are required. The rule trick may work, but hard steel against a carbide or nice HSS edge is not too keen. RichD (23874)
I have used this method in the past. It works OK. Just use a flat piece of steel about 1/16 thick. A Fishtail or thread gauge works well. Put it between the work piece and the tool bit (while on the lathe). Turn in the dial to put some pressure, but not enough to break the tool bit. If the flat stock tilts to the back of the lathe on the top side adjust the tool down. If towards the operator then up. I usually use the center in the tailstock to adjust tools, if I use a QC tool post. Still, I'm use to the Swiss style and it has 360 degree rotation. A center in the headstock will work too. Some tail stocks will have a center line scribed into the quill. They also make a gadget to set the tool on center with the OD of the work piece. It has a level bubble. The bad news is that besides the centers on the headstock or tailstock, setting a boring bar isn't fun or doable. Maybe with the centerline on the tailstock, if your lathe has one. Tom (23875)
I used that "trick of the trade" when I am setting-up my cutters. Especially when I was using a lantern style tool post. Now that I have a QC tool post, I need to use that method very infrequently. The ruler I used is not that hard so it doesn't damage the cutting edge of the tool bit. When I am real fussy, I will set a square across the ways with the blade sticking up to use as a reference for the ruler to visually gauge against (eyeball comparison test). It is a good trick to know. Webb (23876)
I have heard this idea, but haven't used it yet. My first thought is that it sounds pretty easy, and would well enough if everything else was pretty square - meaning the workpiece is centered of chucked very well right off the bat. My second thought is that if someone was first chucking or putting the new workpiece on centers, the workpiece may not be well "on center" itself, hence giving a false reading......to the degree of inaccuracy of the non-surfaced workpiece. Also, this would be exaggerated by small diameter work pieces. I would say making a jig that sits on your bed ways and is always set on center height would be a better long term answer. Bernie (23877)
There were plans for a jig in the August 2004 Machinists Workshop magazine. Essentially it was a piece of threaded rod mounted on a small piece of flat stock that sat in on your ways. Then there was a nut that you could adjust up and down to set the center height. You then simply lined up your cutter to the nut and off you went. Mark (23878)
In my hobby shop I chuck a dead center I made into my chuck/collet and align my bit to the tip before I chuck my stock. I know this will not work in all cases (like having to change cutters during machining) but it does give me a "true" piece to set my next cutter up by. This technique can get you with in .001 to .003 of center with practice. I have also in the past used the cutter to make a fine "scribe" line in the stock (granted I use a lot HSS the scribe line is placed where I have to do my next machining) to give me a reference for my next cutter. Chris (23879)
It is the only method I use. It is as accurate as any other method available to the home machinist. (23880)
Turning 4130 Chrome Moly
My son is entering the 2006 Darpa race http://www.darpa.mil and was asking me if I can turn 4130 chrome moly. I'm assuming I can (9" Model A SB), but was wondering what it involved. Does it turn like 316 stainless, or is it more difficult; does it require carbide bits, etc? Dave (24238)
Dave, I turn 4130 and it does turn harder. I have used carbide and HSS bits. The only real problem I have had is facing to a shoulder and trying to keep it flat, It seems to run out a few thou. But I will keep trying. I find it at work in the dumpster G my tool post is 4130 and I turned the bottom off with no problem. Bob (24241)
So you think turning (for example) a 3" diameter shaft down to say 1.33" might be a son of a gun? Sounds to me it will be, but I wanted to talk to you guys first. He's wanting some machine work done (I don't have the specifics of what he's got in mind yet), but a machine shop quoted him $1800 for four of these things made, including some splines, shoulders and accurate holes. I'm not to the point that I can do splines yet (nor the correct tooling), but he was trying to reduce this cost if I could turn it down. Dave (24242)
Dave, Have him drop half of that ($) and pick up a used Bridgeport to make the splines, etc. Both of you will benefit. Pay particular attention to the stock you get, some of it comes annealed and some does not. JP (24243)
YOU CAN BUY THE EQUIPMENT YOU NEED WITH A QUARTER OR LESS THAN THAT!!! So I think you should, instead of giving it to someone else to buy himself more equipment. Bernie (24244)
Dave that might be a big job on a 9". I just took a job in turning 6 pcs of 3" CR down to 1". I had to stock up on my carbide inserts. I will let everyone know how it going in a few days. Bob (24251)
Any bigger job than this hunk of RC-40 pre heat treated 4130 I am making a milling head spindle out of. The setup shown is to face off and center drill the bar for the BB center. The spindle was then turned down to a slip fit for Timkin bearings. I have not finished it yet because of moving to a new house and increased hours at work. The quill shown next to the spindle was also machined from 304SS on the SB 9" and fitted to the housing as a light slip fit. Oh yes the 7075T6 head housing was also totally machined and bored on the lathe. JWE (24255)
Turning 430 Stainless
Anyone have any tips on turning 430 Stainless? It's 2" OD and I'm facing, drilling a 1" hole, turning a step and then cutting off. I've tried a standard square cut C6 Carbide tool at a fairly slow speed and it isn't doing well. How bad does this stuff work harden? I haven't tried to drill or cut off yet. Both of these scare me after my current experiences. I plan on playing with speeds, both chuck and feed, and trying a little heavier cut, but thought I'd throw it out for advice. Dave (24427)
Dave, Work hardened stuff can get super hard, I had a soft to start stainless piece that rounded file teeth. To avoid work hardening, use sharp tools, don't drag a cut or stop in the middle of a cut. If you start a cut, light or heavy it doesn't matter that much just make sure you finish it. A dull tool will certainly harden your work on you. Very sharp HSS might give better results than carbide. Jim (24428)
I cut stainless almost daily at work on a 1890's lathe. I used VR/Wesson tnmg VR75 carbide inserts at a spindle speed prob half as mild steel. Don't know exact spindle speed. I had to take fairly light cuts but I also had to go over 4 holes in certain spots of the part. Those inserts worked the best of any I tried. Bob (24440)
Dave, I agree with using carbide tooling but would add that you should use coolant liberally! I have drilled, turned, and milled SS with coolant with good success. When I have tried machining dry, I always get work hardening. George(24455)
In the home shop with a small lathe very sharp and well lubricated HSS will probably be easiest to handle. Best to have a small tip radius for strength but it must be well polished and carefully blended in to the straight sides of the tool. You need to cut deeper than the tip radius, probably by at least 10 thou and the leading edge of the tool needs to meet the surface being cut at less than a right angle. Something like 80ø ought to be OK. Stainless materials tend to be a bit pernickety about cutting speeds, frequently rather high speeds are needed for best results. Biggest problem with the work hardening variety is that you cannot take a finishing cut with the usual large radius tool run at low speed. You have to get the finish off a significant cut. Small lathes frequently have problems with rigidity and power preventing you working under optimum conditions. Realistically a 9" SB can't be expected to shift more than about 1 cubic inch per minute of tough material per spindle horse power (up to about 2 or 3 for aluminum alloys and the like). The hefty plain bearing spindles of Heavy Tens and the bigger machines make life much easier as you can do some serious leaning on the tool without things bouncing around. Last bit of stainless I did on the H10 peeled down nicely at about 1/8 cut and fairly high speed but you could hear it work hardening momentarily during the process and close examination of the swarf showed where hard bits had been dug off. That particular stuff was very difficult to hacksaw and peeled the teeth of a bandsaw blade in nothing flat. Clive (24459)
Thanks to everyone who answered. Sounds like playtime finding the best speed and tool. The Carbide I have is brazed and it's unknown what grade. I used a new bit but didn't hone it. I don't have a coolant system on the lathe but with a cake pan and a large pump lubricant can and I can simulate fairly well. My dad did it this way using Kerosene. I'm surprised we didn't burn the shop down. Sharp tool, uninterrupted cuts, play with speed and keep it cool. Got it! (24479)
How to set angles
The way I was trained uses a set of log/trig functions, a sine bar, joe blocks, and a dial indicator. Refer to the sine tables for the angle you need. These show up in Machinery's Handbook. Stone the side of the compound for burrs. Then figure a way to lay the sine bar and Joe (gage) blocks against the compound. The compound is set rough with a piece of good round stock in the chuck. This means you dial the whole rig until you can adjust the sine bar parallel and touching the bar. Then for the final, use the dial indicator in the chuck and move the apron/saddle back and forth until it is zero. Keep in mind what you are doing is only as good as the condition of the ways, gibs, nut and screw assy. To use an edge finder. Place a piece of stock in the vise, and tighten it. Put the E/F in the quill and tighten. Turn on moderate speed. The E/F will run wobbly. As you crank in the dial, it will slowly stop running out of round. Look at the dial, making a mental note. Now carefully crank the wheel until you see the E/F go out of round. Look at the dial again. Bring back the dial beyond the point it went out and come to within .001/.002 of the mark. Depending on how it looks, either move in a bit more or stop. Most E/F's have a .200 tip. By moving the dial .1 past the wobble-point is exact center. Nut'n to it. I have seen rank amateurs make fools of themselves before...or at least until tonight I thought I had. Tom has done a grand thing. Though a bit winded, he has set the reputation of the bar back beyond Hammer hobby. Ron (24612)
Ron, I agree with you completely, I have a 6 inch sine bar and gauge blocks and would use these for real precision. I jumped into this one when the original querist wanted to slew his top-slide and take a 1 thou finishing cut and was told to set it over to 84.261 degrees, but not how! Perhaps I should stick to iron and drop the irony. Now on my 9SB the top slide degree graduations are about 30 thou apart so it shouldn't be too hard to set it by eye to say the nearest 1/4 degree. Now sine of 5-3/4 (5.75) degrees is 0.1002 which is pretty near bang on for the purpose required which was a fine finishing cut. Now let's suppose inaccuracies in the machine and the setting lead to a small error and the top-slide gets set between 5-1/2 to 6 degrees. For 5-1/2 degrees sine = 0.096 which is 4 hundredths of a thou short of what our friend wants and for 6 degrees sine = 0.105, 5 hundredths of a thou over. The chap didn't ask for toolroom precision and I know how I would set up that final facing cut.  Frank (24628)
Frank I do not even try and use the built in protractor for anything. At $29 from Enco almost all the time the machinists protractor with the magnifier built in. It makes setting any angle a simple matter with guaranteed accuracy. If not this one then one of the $9.99 ones also does the job better than the built in one that you can not see from the front of the machine without a mirror. JWE (24632)
Further to Ron's excellent description of how to set the top slide angle accurately using a sine bar there are some other equally effective methods for those who don't, yet, possess a sine bar. As ever with angles it helps if trigonometry does not induce a state of abject terror and brain malfunction. Running a DTI against a faceplate or test bar over a decent feed distance, inch ish, is effective. I find it best to measure the feed needed to achieve a given DTI deflection, you may prefer to work the other way about with a fixed feed. Sine bars work by having a fixed length lever and variable gauge block stack. Going the other way works just as well. A drill set provides a nice selection of close tolerance spacers and its relatively easy to calculate how far along a lever you need to be to set small angles. Its quite tolerant of length errors too. For example 1/16 at a foot is a few hundredths short of 0.3 of a degree, at 11 1/2 inches its a few hundredths over. For many practical purposes you can do well enough with a pointer and a ruler, if you are familiar with them, radians are a lot easier than degrees when working in this manner. Home made vernier scales can be effective. Usual problem is getting things big enough so that the scale is open enough to read easily. Oversize verniers spanning more than one calibrated division will work well but I find them a headache to read. Moving the slide round by small a mounts is difficult, push and tap gets there but can take along time. If you possibly can fake up some sort of "twin push screw on a bar arrangement" to give positive movement in both directions. Owners of lathes fitted with a long, T slotted, cross slide will find this much easier. On a related topic angular off-set of the top slide is often touted as a way of getting very fine cuts. Although this is geometrically true the actual performance depends on how good the cutting tool geometry is. For all practical purposes the actual cutting edge "radius" between the top and front surfaces of the tool needs to be less than a quarter of the in feed depth to get a clean cut. So if you are trying to take half a thou off the cutting edge radius needs to be better than about half a tenth which is pretty darn sharp. Although the tip radius, i.e. as viewed from the top, itself will be much, much larger the finish and blending needs to be of similar standard. Being such a fine cut there is no way the tool can be re-sharpened, you have to go with what you have got after the previous cut(s). Its easy to forget that the tool travels a long way during a job. For example during a 6 inch cut on a 6 inch diameter bar at 5 thou per rev feed the tool tip travels over a quarter of a mile! No wonder it looses its edge. This is why a few heavy roughing cuts and light finish cut is a much better strategy that creeping up with loads of fine cuts. If the tool edge is insufficiently sharp it will rub rather than cut. Metal will still be taken off but it all gets a bit unpredictable. Clive (24652)
Attaching outboard spider
I couldn't find anything in the archives on the subject of attaching a spider to the spindle. This is for a 10k. I'm thinking maybe use a set screw, however the spindle is somewhat thin and would be worried about distortion, damage etc. The other possibility I can see is a threaded collet type. More complicated to make less possible problems. Anyone been there--done that on this type lathe and have any experience? Dan
Dan: On my 13" I had about 1" of thread left showing where the Locknut for spindle thrust take-up was so I made a threaded piece that went over spindle and threaded on there. It overhung past the spindle and that is where I put in the grub screws to use it as an outboard spider. Can't say if your 10K is the same arrangement or not. Ron
On a 11x36 Logan I used to have the previous owner had made a new spindle thrust take up nut which was used instead of the factory take up nut. It had the spider built right in, very simple , and it worked fine. Dee
Dan writes: I couldn't find anything in the archives on the subject of attaching a spider to the spindle. This is for a 10k. Tell me what you're talking about. I could make some wild guesses but I'd rather get it right from the start. Anthony
Anthony, I believe we are talking about a spider which is actually a cylinder with four bolts/screws to hold a shaft centered in the outboard end of the spindle. Gunsmiths use them to hold the action end of the barrel when working on the muzzle end at the chuck. Did I just confuse you more? Dee
Please excuse my 'newby-ness' but what is an outboard spider, what is it used for and how do you use it? Tom
I am referring to a centering device that fits on the back side of the spindle, there is a photo of one on the cover of the current issue of Machinist's Workshop. It's used to hold long work pieces such as rifle barrels fed through the headstock. Dan
Sounds very similar to what I have always known as a cathead. Basically a tube with four setscrews coming into the center to hold irregular shaped shafts and provide a bearing surface for a steady rest. You could go one further in this idea and machine one end to precisely fit the outboard end of the spindle. Roy
The left end of my Heavy 10 has a tube with 4 screws in it for centering/supporting long shafts through the headstock. My tube goes over the existing end of the headstock tube. Also on the collet tube my dad put 4 screws in it for holding barrels during gunsmithing operations. He used brass screws to minimize any scratching etc. Enjoy. :-) Eric Basically a shaped shafts further in the spindle.
Dee writes: I believe we are talking about a spider which is actually a cylinder with four bolts/screws to hold a shaft centered in the outboard end of the spindle. ---- Did I just confuse you more? Sounds like a spindle-tail pot chuck. Used to assure axial alignment. Do I win the prize? Anthony
Helical pattern in part
I was hoping someone could give me some advice with my 1967 10" South Bend. There is a helical pattern left in the part when I make a finish cut. I cut mostly plastic with the lathe, but it does the same thing on aluminum. At first I thought it might be the lead screw, but it also leaves the pattern when I make a manual cut. The only other thing I can think of is that the chuck is out of balance, which it seems to be since the machine does have some slight movement when it is running. Maybe someone has had a similar issue? I would appreciate any input. (25837)
I just went thru this with my 10K. It left the most perfect helical pattern. Mine was a leveling problem. Once I got the headstock way end to match the tailstock way it end prob went away. Bob (25839)
 
     
 

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